The absence of color pages is not striking, since the tone of the story does not claim them either. It would be different if it were a fantastic cut story where the reader, although accustomed to black and white, always appreciates a colorful note.

Regarding the graphic section, Masasumi Kakizaki's work is, in general, good. But not bright at all. There are vignettes where the bodies are disproportionate or poorly designed, for example, by placing the eyes on an impossible axis. Instead, there are very good and impressive illustrations.the adjective that best suits this situation is inconstant.But hey, this is a story where the script is much more relevant than the graphic section. A very interesting and renowned way.