skthegreat15

As someone who was bullied and abused quite a bit during his formative years, I generally don't care to think of my past tormentors as human beings. When you're going through the thick of it all, they don't really seem like people as much as they come off as monsters. Of course, one of life's painful truths is that people are capable of changing for better or worse. There have been countless times in my adult life where I'm confronted with my past tormentors and I had to accept the reality that they weren't the same person they were back then. Some of them actually realised the errors of their ways, others had karma bite them square in the ass and they took a lesson in humility, and others still were victims of peer pressure who felt some twinge of remorse after the fact. So you know what? I don't really have /too/ many hangups over reading a story told from the perspective of the bully.

Come to think of it, that actually would be a refreshing change of pace considering how most works told from the perspective of the bullied basically come across as edgelord revenge fantasies set to the tune of late 90s/early 2000s nu metal (I'm looking at you, Onani Master Kurosawa!). However, I'm not so quick to simply jump in and hope for the best. There's a certain nuance to this type of thing which basically allows it to either be a great work about how there's good inside us all and it allows for all of us to redeem ourselves irrespective of our pasts OR being a work that justifies toxic behaviour because of how the abuser had some sort of past trauma. This doesn't even factor in whether or not the work takes into account things like laws, policies, etc because that in and of itself adds a crucial dimension to such conflicts that a lot of works just tend to overlook.

Thankfully, Koe no Katachi is very much in the former category and for the most part, it does handle the nuance quite well. With that said, it does get rather painful to read at some points. I suppose this stems from the very premise itself. For all intents and purposes, Shoko should /NOT/ have been enrolled in a general education school in the first place. Her deafness warrants specialised education that allows her to not only learn school subjects, but to also function in the real world. Granted, this is discussed later on in the manga's run and she /does/ transfer to a school for the deaf once the bullying became too much for her to handle. Still though, shame on the school administrators for even saying "yes" in the first place even though their teachers weren't properly trained to educate deaf students.

On that note, I suppose this does come down to a case of values dissonance as well. I did my time in the NYC public school system, which has a specialised school district (District 75) for students with learning disabilities, sensory impairments, autism, etc. Given this, seeing a deaf girl being placed in a general ed classroom without so much as a paraprofessional to help her understand what's going on comes across as fucking weird to me. For all I know, maybe the general mindset in Japan is to send students with disabilities into specialised schools outright rather than having inclusive schools with specialised programmes like we have here in NYC. But I digress, so let's take a look at what Koe no Katachi gets right.

Our protagonist is Shoya Ishida and for all intents and purposes, he starts off the manga as a complete and total jackass. At this point in his life, all he's concerned with is finding a way to amuse himself and boy does he get a LOT of mileage out of abusing Shoko. To him, she's not a human being so much as she is a deaf alien from planet Nishimiya (sorry Cryptic-senpai, I'm stealing your analogy). His favourite game at that point in time was finding new ways to abuse Shoko from throwing her hearing aids out the window to shouting in her ears among all sorts of other things. Of course, he wasn't the only participant in this game. Most of Shoko's classmates at that point in time got some sort of mileage out of bullying her. Oh yes, if there's one thing that this manga gets right, it's the sheer sadism that children are capable of.

That all changes when the school principal threatens police action once Shoko's fifth pair of hearing aids goes missing. Her classmates needed a patsy, and so they picked Shoya to take the fall for their collective abuse of Shoko. Now subject to similar abuse that Shoko endured, he must learn to take responsibility for his actions. Eventually, he becomes a loner who isolated himself from everyone around him for one reason or another. One day during his senior year in high school, he has a chance encounter with Shoko and that's when his metamorphosis occurs. No longer a bully turned loner, this fateful meeting sets the wheel turning for Shoya to start developing compassion and empathy for his fellow human being.

From a storytelling standpoint, the manga did a damn good job at showing off Shoya's change of heart along with every step of his progression in character. I just love how he doesn't magically earn the forgiveness of everyone he wronged. He actually had to work to make amends and more to the point, his growth isn't just something that gets stepped on just because he was a little shit. He actually does make new friends and he does fairly well for himself as time goes on.

As a character, Shoya is definitely the most well-written of the bunch. His desire to make up for all the trouble that he caused his mother and Shoko once she comes back into the picture is honestly one of the most wholesome things I've read in a long time. Make no mistake, his past actions are condemned to hell and back and he certainly built up a good deal of self-loathing over what a delinquent little shit he used to be. Still though, I gotta give the guy props for owning up to his mistakes and actually trying to make amends. His redemption arc is so masterfully done to the point where it almost rivals that of Zuko's from Avatar: The Last Airbender.

In regard to Shoko and how she's handled, it’s important to keep in mind that this story is being told from Shoya’s perspective and he’s an unreliable narrator. Also not helping matters any is how Shoko herself doesn’t speak and Shoya doesn’t always tell us exactly what she signed so we tend to only get one half of the conversation. At the same time though, Shoko is quite expressive and so we’re able to understand on some level what she’s feeling. With that said, I really wish that we got some clearer insight into what her thoughts were.

Yes, it’s easy to look at her facial expressions and know that she’s jovial, that she’s sad, that she’s irritated, etc but at the same time, what precisely is it that’s going on in her head? We do get some insight into what she thinks at times, because there were points in the manga where she texts Shoya, that someone says exactly what she signed, etc but at the same time those moments were so few and far between. It would’ve been nice if we saw a group chat or something between Shoko, Shoya, and their other friends over the course of the manga but it’s sadly a missed opportunity.
The other characters as far as the manga is concerned are handled well enough, I suppose. Nagatsuka in terms of appearance reminds me quite a bit of Bling Bling Boy from Johnny Test, but thankfully he’s nowhere near as annoying. In fact, he’s actually one of the more endearing characters throughout the manga’s run. He’s the first person who witnesses Shoya not as an ex-bully, but as a person trying to improve his lot in life. As such, he sticks by Shoya through thick and thin and is responsible for a good deal of the manga’s more heartwarming moments.

Yuzuru was a character that I was irked by in the beginning, but she turned into one of my favourite characters by the end of the manga’s run. Yuzuru acted largely as Shoko’s protector and provided her with a good deal of empathy that was sadly lacking throughout most of Shoko’s childhood. Yuzuru not only gives us insight as to what Shoko’s home life is like, but she also ends up growing as the manga moves along.

Then of course, we have Ueno… and honestly, I really didn’t care /too/ much for her. She’s one of the many people who bullied Shoko when she was in middle school and was also among those who decided to blame Shoya for everything that happened to her. And yet, she somehow still has feelings for the dude and despite being a senior in high school, still wants to hold a bizarre grudge on Shoko? Granted, she’s far more tolerable than Kawai is because she’s actually self-aware to some extent and some of her more vitriolic tendencies get toned down as the manga progresses. In fact, she’s also responsible for some of the manga’s most poignant scenes so I can’t be /too/ upset at her. Still though, she’s more or less just a hate sink for me.

The last of the characters I’m willing to talk about are Shoya and Shoko’s mothers, and honestly… it took me a good amount of time to actually get used to Shoko’s mom. My big issue with her is that she still decided to enroll her daughter in a general education school rather than a school meant for deaf kids. Don’t get me wrong, she does have every right to be viscerally angry with Shoko’s bullies, but uh… she’s partly to blame for all this. Not helping matters any is how she’s unnecessarily stern with her deaf daughter. Don’t get me wrong, you have every right to be frustrated with your kids, but why scold them for using sign language every so often when that’s realistically their only way to communicate?

However, her reasons for being this way are actually explored on some level of depth as the manga goes on. I suppose the best way to explain without too much in the way of spoilers would be to paraphrase what Momiji from Fruits Basket said about raising a child that’s part of the Zodiac: if you have a deaf child (rather than a Zodiac spirit), would you abandon it because you can’t bear the thought of raising someone disabled? Or would you cling to your child for dear life, and try to keep them protected no matter what? Shoko’s lack of a father figure in her life shows that he decided to take the former route, erstwhile Shoko’s mother decided to take the latter and it did take a big toll on her psyche. Gradually, she becomes much more endearing as Shoko’s circle of friends expands and she goes on to be one of the manga’s most endearing characters.

Shoya’s mother on the other hand is an endearing person right off the bat who genuinely wants to see her son change for the better and understandably, gets frustrated whenever he does something stupid. She’s an unending beacon of love and support for her son, and we actually get to see the joy on her face when she finds out that Shoya is actually making friends again rather than just isolating himself from everyone else. My only real complaint is that we don’t get to see more of her, but then again, that’s par for the course in most shonen manga these days.

Moving away from all that talk about storytelling and characterisation, let’s focus on the superficial stuff. I absolutely adore the manga’s artwork. All the backgrounds are drawn well, and I absolutely love the artistic decision to put gigantic Xs over the people that Shoya doesn’t want to associate with because it further reinforces the isolation he put himself into. As far as the characters are drawn, I absolutely adore the fact that Shoko isn’t drawn like a typical KyoAni moeblob with the big sad puppy eyes that take up half her forehead. She’s cute, but she still looks like an actual person. The same thing can be said about all the characters, really.

The artwork so done so well to the point where its most iconic scenes (i.e. Shoya and Shoko meeting at the bridge where they feed the carp in the rain) can be used as actual wallpaper for your desktop. With that said, there were points where you can tell the mangaka phoned it in and didn’t put /as much/ effort into some panels, but that’s to be expected considering how this manga was publishing on a weekly basis. Plus, you only really notice them if you read the scanlations from when the manga first came out. The actual volumes have cleaned up the artwork quite a bit since then.

When I was reading this manga for the first time four years ago, it was an emotional rollercoaster ride for me. I grew so attached to Shoya and Shoko and I genuinely wanted to see the both of them move on from the hardships of their past. Every chapter at that point in time had me on the edge of my seat, and there were points where I was actually starting to get misty eyed and actually hesitated to load up the next chapter on Batoto.

As an adult now, I’d say that this manga still manages to get me fucked up but not anywhere to the same degree as it once did. I suppose part of this can be chalked up to the casuals that won’t shut the fuck up about how great the movie was but there’s more to it than that. Four years ago, I was still fresh out of high school and I didn’t have the hindsight as to how the schooling system worked because I never decided on becoming a teacher back then.

As someone who’s trying to become a teacher now, Koe no Katachi really does test my suspension of disbelief at some points with its portrayal of the educational system. Granted, I can’t be too harsh considering there’s things like values dissonance at work but it still manages to raise an eyebrow at many points. Even then, I would still say that the manga does a phenomenal job with its storytelling to the point where I can reluctantly look past the stuff it gets wrong.

Koe no Katachi ultimately did a great job of showing us that we’re all capable of changing for the better, and on a more personal level, it taught me that sometimes your past tormentors are capable of changing for the better. Even now as an adult, it taught me that some grudges are better left behind in the past. I’d hate to reuse a sentence from a past review, but I really can’t think of any other way to say it - Koe no Katachi was far more than just an emotional rollercoaster. In some ways, it was therapeutic and in other ways, it was a work that left a major impact on my way of thinking. For all those reasons and many, many more, Koe no Katachi definitely gets high marks from me. Maybe it won’t from you, but you wouldn’t know until you give it a shot.

Anyway, that’s all for now. Feedback is always welcome and with that, I’m out. Peace :)

Takashi Murakami is capable of convey feelings and emotions through his work at the same level as the great Jiro Taniguchi.

After a car accident, a husband stays in vegetative state so the mother has to raise her son solo. In a way that reminds the plot from Ōkami Kodomo no Ame to Yuki, Murakami makes the story feels more realistic since he is an artist of manga of manners. The development of the lonely mother and how she find strenght in her loved relatives to keep going and carry on her pain. The art is nothing spectacular but it does not matter since the important is in the story and what it makes you ponder.

Aoi Tori makes us approach sad events like death and ilness. That's the reason this bittersweet manga is recommend for adults or people who have lost relatives.

Short, weird, cute

Story: 7/10
Weird plot, I feel like it landed itself really well to the 17-page format, extending it further would only be detrimental

Art: 6/10
Cute, could be cutter. Well done and satisfactory

Character: 7/10
OK, obviously the characters don't get much development in 17 pages, but still they feel like real people, they manage to express their backstory in the way they act, and not in by saying it.

Overall (7/10)
Short, weird and cute. There is not much more to say, it is really short so i recommend you give it a try.

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Short, weird, cute

Story: 7/10
Weird plot, I feel like it landed itself really well to the 17-page format, extending it further would only be detrimental

Art: 6/10
Cute, could be cutter. Well done and satisfactory

Character: 7/10
OK, obviously the characters don't get much development in 17 pages, but still they feel like real people, they manage to express their backstory in the way they act, and not in by saying it.

Overall (7/10)
Short, weird and cute. There is not much more to say, it is really short so i recommend you give it a try.

"sometimes watching trash can be fun too"
-Dirty Pair

No need for much of introduction. This is manga about strippers with various gimmicks fighting zombies and zombie strippers. You get exactly what you see. It's a short, very trashy story with lots of tits and violence. The art is reasonably decent enough to bring out both key elements of this subtle work. The manga doesn't really take itself seriously which works in its favor. Ending is abrupt but this is not the kind of manga you'd want to expand on the plot.

If you're bored and want to read something trashy, why not give it a shot? The thing is only one a 20-30 minute read.

Battle Royale 1 is one of my favorite movies and one of my favorite manga. I heard that people didn't like Battle Royale 2: Blitz Royale because of the artwork, so I decided to give it a try knowing that I'd have to ignore the artwork and look past it to the story.

It didn't help.

There is no maturity to this story. In fact, there is almost no story what-so-ever. The characters are one dimensional, and the relationships between the characters are practically non-existent. The setting is below average at best, and has little-to-no description. And as mentioned before, the artwork is terrible.

Everything good about Battle Royale 1 is missing from Battle Royale 2: Blitz Royale. Seriously, don't waste your time.

Of course there isnt review for this
This is best mecha manga ever made
The concept of going to another world is overly done to death but to me this is the one time save for konosuba where its actually fucking works without being gay
Anyways the premise is rather simple A shota is sent back to the past to pilot a stone god said to sage the empire of mu in its worse crisis plot is great same with the art work
I feel that the characters overall are alright at best though i doubt anyone comes for that
Overall read it

Story: 1
Art: 5
Character: 2
Enjoyment: 1
OVerall: 2

This is torture porn. Well, ther'es no porn, but ton of torture. The manga is about a crazy killer running around murdering people in most cruel way possible. All of it is depicted directly.

The artist is skilled, I can give him that, but the story basically revolves around endless onscreen mutilation, dismemberment, torture, cruelty, etc. with every tiny bits of torn gore depicted as accurately as possible. The story weakly attempts to justify such behavior, but this is not noteworthy.

Basically.... avoid. The level of gore is extreme, the manga attempts to throw people's guts at your face in order to shock you, and story is nearly non-existent.

So the best idea is to avoid it.

I understand that forbidden love is attractive, but I was a little uncomfortable with the slight incest. Granted, the two lovers were not related by blood, but he is her father, the one who changed her diapers! The age gap is negligible because he's a vampire, but I am still perturbed by it. Mimiko was always feeling fluttery after her father touched her, yet mentally slapped herself for thinking of loving her father in another way. And suddenly things changed even more for the worse when she realized what exactly she was raised for: a virgin blood sacrifice for a bunch of vampires. Yeah, the plot seems to throw things at you without warning.

To be honest, what little I liked about the romance was each gesture. Smoothing back her hair, touching her lips, patting her shoulder. Little things like that made a big difference to Mimiko and I myself would be thrilled with such attentions. But again, the somewhat forbidden love between an adopted daughter and her father plus the forbidden love between a human and a vampire blew things way out of proportion and made the manga less enjoyable. The reasons for their love not working out were briefly explained and tossed into the story without much thought. I know shoujo manga always ends happily, but it was just too obvious that it would be like that given the way the story was executed.

Ah, about Mimiko and her father. They are typical characters to shoujo and I really mean that. Mimiko is the cute and innocent girl discovering romantic feelings for the first time, and her father is the cute guy who catches every woman's attention with a smile, a nice man. I neither dislike them or like them.

The selling point of the manga would have to be its art. While it isn't the most beautiful I've seen, the men are gorgeous and the girls are cute. I especially love the way the cafe at Mimiko's place is designed, and school uniforms are crisp. A few backgrounds are prettily drawn and you can see luxury and beauty in different places. Pleasing enough to the eyes even if the story isn't much good.

Hmmm. I can't say this manga was something I was eager to read, but neither was it painful. There were no parts where I was super amused, save a little bit of the beginning, but that was it. Once the ending came near and was super predictable, it became bland. I would not recommend this to anyone, to be honest. It isn't because it's that terrible, but because I see it has nothing special to talk about.

From the time we're born, humans are fascinated by mysteries. As babies everything is a mystery to us, and we become curious. Because of that, as our brains develop we seek to find the answers to the mysteries we could not understand as babies. As we mature and grow older, we are each faced with a mystery that we want to solve no matter what. Can I be a good parent? Why am I alive? Is there any other life in the universe? Some of these mysteries we can find answers to, others we cannot. But every human is constantly trying to solve some sort of mystery, rather they realize it or not. That is why the mystery genre is one of my favorite. It taps into one of our most base desires as human beings. The desire to not only solve, but understand, mysteries.

13 Club is centered around mysteries. Sometimes these mysteries are solved, sometimes they are simply archived by our recurring character, Kudan. Luckily, they are always fascinating. From the first mystery I was hooked. While not always original, the mysteries are structured in such a way that they feel unique. The manga is not linear, and each mystery is separate from the others. The final mystery was weaker than all the rest, and raised some questions that weren't worth raising in the final chapter. The only thing that all the mysteries share in common is Kudan, the owner of the 13 Club website.

Kudan is an interesting character. While he is fascinated with, and at times at the heart of, numerous mysteries, he himself is perhaps the biggest mystery in the manga. We don't know who he is, why he is fascinated with mysteries, how he met his assistant, or anything else for that matter. We don't learn much about his assistant either, but to me I felt that rather than being a mystery, she was an unnecessary character. The one off characters that were contained in each story segment were almost always interesting, with a few being weaker than others.

Despite the backgrounds being rather simple (which, let's face it, is pretty common in manga) the art was well done. The character designs were good, and all of the artwork was sharp, clean, and up to snuff with today's standards.

If you are a fan of the mystery genre, this manga won't disappoint. It is an exciting ride through the mystery that is the human psyche, and is presented in such a way that it's hard to feel lost or bored for even a moment. Once this sinks its teeth into you, it won't let go. It has some character and story issues depending on which mystery you're reading, but it scratches the mystery loving itch that we humans are born with. If you aren't a fan of mystery.... well, you are lying to yourself, so get reading.

Is it even possible to make a manga about blood-diving girls and a serial killer with a fishbowl for a head boring? Apparently, yes. You just need to never move past the concept. Basically, after you have seen the MAL page for this manga, you have seen it all. Here, you can add it to your Completed list now.

I understand that you don’t believe me, I also wanted it to be a lost gem. And, I guess, fans could easily offer counterarguments. After all there’re clever things in this manga, like using a pervert, whose nose bleeds when he sees a girl in a swimsuit, to summon the fishbowl man (he reacts to blood near water), or most of blooddiver stuff being inspired by pool and near-pool activities. There’re fun random details, like one of the policemen who always arrest the blooddiver girl having eyepatches on both of his eyes, or a giant girl studying in the same class as the main character.

But details don't really help, when the plot of this manga is basically “something happens and there’s also goldfish”. If you look past the surreal glitter, nothing moves ahead – the characters gather stuff, then lose it, then recollect it, then lose it. There’s about one meaningful event that happens out of nowhere closer to the end. But you don’t feel involved, because you never learn the rules of their world – it neither becomes magically realistic, nor gets completely surreal, staying in the limbo of superficial fluff. You don’t feel any tension, the manga is goodnatured, so it’s obvious that nothing will happen. Even the scenes that happen “inside blood” are rather boring, I've seen much better symbolic worlds in this meduim. The characters are cardboard cut-outs, even if relatively nice, the few motivations that are given being your standard shounen placeholders, like “I wanna get better”, “I wanna save”, “ I am a perv”. The fishbowl man is by far the most interesting, but, sadly, he isn’t developed at all.

The art is bound to be divisive. It combines realistic, often very detailed backgrounds and highly stylized cutesy (almost chibi-style) characters (except for the fishbowl man, he looks like Slenderman). I like that the art has a lot of personality, and some of the situations and object make for striking individual panels, but cuteness sort of replaces characterization, which I hate, and the author, sadly, lacks the gift for cinematography, so the panelwork is rather bland.

The publication includes a couple of shorts, and I like them much more than the big story. Maybe it’s because for them developing the unusual premise is a non-issue, but "Kappa's Dinner Table" is also better at characterization, and "Hell", which is by far the best, has genuinely fun scenes and an actual punchline (and also a fapping skeleton).

Right, I have a feeling that "Chimoguri Ringo to Kingyobachi Otoko" is also supposed to have fanservice. I say I am not sure, because the characters are cartoonish, and it’s far behind, compared to modern popular ecchi. It may work only for school swimsuits enthusiasts (this is a recurring topic in the manga itself). Actually, swimsuit fetishism is, probably, the closest "Chimoguri Ringo to Kingyobachi Otoko" comes to having energy. I can see the point in a world that plays with the combination of girls in dark-blue swimsuits, pools, water and lush hydrangeas in a rainy season. It might have been beautiful, too bad the manga doesn’t use well even the context of wetness – we don’t notice, when the characters are soaked and when not.

"Chimoguri Ringo to Kingyobachi Otoko" doesn’t have an ending, the story is continued in "Shin Chimoguri Ringo to Kingyobachi Otoko", and the sequel does attempt to change the status quo, as it seems, it also has a lot more blooddiver girls. But here I evaluate the first half, so there’s that: it’s empty plot- and characterization-wise.

Maybe this author’s style is not for me, but I can judge only based on my experience. So my verdict is: unless you really like girls in swimsuits (and if you do, I congratulate you, sir, on hitting a bingo and wish you a good fieldtrip this evening) or want some surreal pages to illustrate the range of imagination in manga (without much context), I don’t think it is really worth your time. The sequel has a recap too. Flip through "Chimoguri Ringo to Kingyobachi Otoko" or check out the shorts, reading though the actual chapters won’t be very enjoyable or fruitful. All in all, being happy that a manga with such a plot exist and seeing an example of the artstyle is as much as you’ll get from this.