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JoJo no Kimyou na Bouken Part 7: Steel Ball Run review
This part was great, one of the best of the series. Not a "masterpiece" as some people like to say, but still, it was amazing in its peak moments. If you are into JoJo, I highly recommend reading it, since the anime adaptation for this one may take many years to come out. Anyways, the rest of my review is full of spoilers, so be careful.

Story (8/10)
This part's premise is without a doubt one of the most creative. While other anime are mostly only in Japan or fictional worlds, JoJo once again recognizes other places in the real world and represents them properly, this time in the late 19th century USA, which is settling for the western cowboy story that is given to us. However, since it's a battle-seinen manga it will drag you into a lot of fights, and this part has some weak ones (Boom Boom Family) and the beginning is awful. Yet, the final fight (against Valentine) is amazing and will probably be the best in the series when animated. I also loved Disco.
Being the first part in a new universe, the elements brought here are some of the most interesting, like the holy corpse and the spin technique, a great complement to the stand battles that SBR also has. The story being focused on two main characters opens room for more characterization, and the protagonist here really has depth and development (one of the few in the series to have something like this), as we see him growing from a cocky brat that thinks too much of himself just because he is good at horse racing to a humble, kind (and traumatized) professional jockey that cares about his friends and family.
Talking so greatly about the story, the score I gave to this manga seems lower than deserved. Well, that's because it has a lot of flaws, and I left it all later on.

Art (9/10)
Once again, the art of the most recent JoJo series is great and unique as it always were, althought Stone Ocean's art was better. The character design is one of the most creative, wheter it's Johnny's cowboy style and hair shaped as devil horns, Oyecomova's Dia de Los Muertos design or Wekapipo's waffle-shaped hair, and so it goes. The different parts from the west to east of the USA are also very detailed and certainly gives this manga a reason to be outstanding, and also the diversity we have in the characters. A thing that I like about JoJo is that it's one of the few series to aknowledge the existence of other ethnicities and cultures, here having Oyecomova, Sandman and Pocoloco as examples. If you pick other manga or anime they'll probably show only white-skinned people and represent all americans as blonde people with blue eyes, as if it was a an european country.

Character (3/10)
Here is where things start to go down. This part has a lot of characters besides the main group and the villains, each one of them with their very own storyline, mostly unsolved when it ends.
Starting with the main characters, I already mentioned Johnny, this part's protagonist. People love to trash on him for being "selfish" while Valentine is "selfless", and I disagree. He might not have ambitious goals like "being the number one" "reaching the top" or whatever, but that makes him and most JoJo protagonists more realistic. His story is about surviving and evolving as a person while protecting the ones he cares about, the same as it was with Joseph, Josuke and specially Jonathan, his original universe counterpart, and none of them are selfish for that.
As for the other main character, Gyro is funny, entertaining and determined, being a great mentor to Johnny, yet his arc is a total dumpster fire. Unlike Johnny, he wants to win the race and has a reason for that, that being that he needs it to save someone's life. Basically he comes from a noble, wealthy family of executioners whose job is treated as honorable (besides this position never being a good one, take Ilyn Payne from the medieval-based A Song of Ice and Fire for example) and we have to see his father shit-talking about it A FUCKING LOT, and it's basically cutting people's heads off it's nothing to be proud for, I've seen other monarchic stories with contexts like this Zeppeli's family but this is too forced to the point that is ridiculous. It worsens when we hear about Marco, a 9-year-old boy who is a servant at a noble man's house and when this guy conspires against the king, the fucking POLICE and state intelligence somehow states that the poor boy somehow took part in the conspiracy and sentences him to be executed by Gyro. This isn't just a plothole, it's a massive crater. First, why the hell would they care about a plebeian child's life so much they would wait months for Gyro to win a race on the other side of the world to see if they kill him or not? Why would they accuse a child of conspiracy, and if he somehow was actually guilty, would they pardon a traitor of the state just because a guy won a race in the USA? All of this absurdity is brought up a lot in this part which is also full of absurds, but the problem is that this one is treated SERIOUSLY with Gregorio's babbling about the "honor" of killing a child. Basically, Gregorio and Marco are some of the worst characters in this part and they ruin Gyro's character. If he was an almost no backstory ally such as Kakyoin or Mamezuku he would be better, or if he was at least given a better backstory.
The third main character of this story is Diego Brando, a counterpart of Dio. While Dio was fun to watch but still was a weak, generic villain whose goals were the same of a cancer cell (conquering just because of conquering), Diego outstands as the best reread character from the original universe in SBR. He still resembles Dio and still is an antagonist, but his goals and personality are reasonable and so are his relations with other characters such as Hot Pants. All of this makes the character more realistic, a thing that Dio never was, even if the guy can turn into a dinosaur and eat rocks.
Hot Pants is the same, one of the best original characters this part gave us. Besides the ones in part 6, women in JoJo are usually represented as weak, clingy and or powerless, and with her it seems that it finally changes, even if it's just one time. Although she has less screentime than deserved, her scenes are amazing and she is great in the fight she protagonizes. She is paired with Diego and it's one of the few official couples in JoJo that doesn't feel forced, they are their own characters and don't need to clinge on each other to have a personality, still, they are great together.
Returning to the bad characters, Lucy was a terrible counterpart of Erina besides being more relevant than her. After the failed attempt of making her a main character she sticks in the part to be a damsel in distress, also being molested and drawn naked a lot besides being 14 years old (Really, Araki?), she may not be hateful, but it's terrible how she is treated by the story. A shame, because if she was good we would have the first badass non-stand user in Jojo since part 4 (well she actually has as stand, but she just never uses it).
For the others, Wekapipo took a brief role, but it was still nice to see him fighting and his relation with Gyro. Pocoloco and Norisuke also appeared too few times, and it's strange if you think that they were the ones who won the race in the end. And Sandman, I expected WAY MORE of him. He was the first character we saw in this part and new universe, he had more reasons to win than the rest and was determined to cross the whole country on foot for it. Yet, his character takes a 180º and decides to work for Valentine, god knows why. Also his name is not Soundman.
The main villain Valentine, besides suffering some retcon since the beginning, he was a good, participative antagonist. He had good motivations, mostly, but still was hypocritical and perverse, but yeah, he is the villain after all. Not my favorite, but definitely one of the best antagonists of the series. However, his personality and motivations are ruined by the end, when this character who is supposed to care about his country and do everything for it decides it would be nice to give an unlimited power source to a man he thinks is a lunatic, just because he wants to get revenge on Johnny.

Story Part 2 - The awful ending
As I said, we have a lot of character arcs and no closure for most of them. Yeah they have to die at some point, but the way it is done makes you wonder what was the point, like Wekapipo's case. There is also Hot Pants that is thrown off a train and we never see a final scene of her, not even a body, and Pocoloco, winner of the GODDAMN RACE THIS PART IS ABOUT, who never appears again nor have any conclusion to his story. Gyro's arc also ends like a joke, with the boy he died to save said to be "later he died from a cold". This is something I would expect to see in shows like South Park, for instance, and not in the end of an amazing manga. For the "father dillema" that takes a role in this part, while George Joestar's story had a conclusion with him asking for forgiveness for what he made his son endure and being forgiven later on, Gregorio Zeppeli never appears again, he suffers zero consequences for all the shit he has done to his son and that's it.
It pains me that Araki could've done a proper conclusion to all of this, but instead he decides to surrender himself to fanservice and squeezed the terribly placed, nonsense arc of High Voltage, the worst part of SBR. Starting with Valentine throwing out his character by bringing the AU Diego to this universe, this arc gives a fight that makes you question what are you reading. I mean, the main villain died but battles are still happening? And for what? AU Diego takes out Johnny just to be defeated by fucking Lucy Steel. This entire arc was an unnecessary nonsense and trashed the original Diego and Valentine's characters, just so you could have some Dio and The World fanservice. I REALLY hope it gets cut off when animated.

Enjoyment (6/10)
Is the ending good? Yeah, if you just consider Johnny, Gyro and Valentine. It could have ended with Valentine as the actual final fight and a closure later on, but that's just my opinion. I loved a lot of things from this part and hated some others, but I liked it and would read it again. It sucks that only Johnny and Lucy survived out of the main characters, I pesonally loved Diego and Hot Pants and wished to see more of them, but yeah, the best version of Dio couldn't make it.

Overall (7/10)
I think I said it all. People like this part and they have every reason to do it, I recommend it to people who have seen the previous parts, because it's really great, being the last good part of JoJo's Bizarre Adventure.
Koe no Katachi review
Story:
The idea for this story is something so real, and it's about a guy doing something that so many of us wish we had the guts to do. He has become a victim of bullying as a result of bullying a girl until she had to drop out of school, and now he wants to apologize to her. Whether or not he actually deserves to be forgiven is up for debate. You see the cruel things he did to her, and the cruel things done to him in turn. It's hard to sympathize with the terrible things he did, yet at the same time you find yourself feeling sorry for him.

Art:
The artwork was pretty different from that to which I am accustomed, but I got used to it pretty quickly. It's not bad, but unique, and it's done nicely in its own unique way.

Character:
While some characters are pretty two-dimensional, most of them have more depth. This story deals with something so simplistic and turns it into a plot. What is that simplistic thing? Kids are cruel. They lack sympathy and do terrible things to people in order to have fun. Sometimes the only way for them to understand that they're a bully is by becoming a victim.

Enjoyment:
I've never quite understood the "slice of life" genre before. What constitutes as "slice of life"? It's fiction, so how am I supposed to relate to it? This manga was what finally made me understand the genre. While it's circumstances are extreme, it deals with something so real. To whatever level it was done, when you were a kid, you were probably bullied, and like it or not, you probably WERE the bully at points. I know I was. I always thought I was being bullied, and it's true that I was. Though when I look back at some of the things I did, I was also a bully, for no other reason than the fact that my peers and I thought toying with people's emotions was fun.
Reading this manga made me want to go back in time so I could apologize to the people I hurt, because I know how much it hurt. The cycle of bullying shifts, and the bully becomes the victim, and the victim becomes the bully. Over time we regret, and we beat ourselves up for that. In the end, sometimes the person who bullies you the most is yourself. This manga cuts deep; it hits close to home, and you can't help but be curious as to see what happens next, and there is likely at least one character you'll be able to relate to.
Shingeki no Kyojin review
I quickly drawned into this story several moments after the chibi collosal titan posted by people on my facebook news feeds. Along with it, I also notice some characters in certain uniform which later I notice as scout legion uniform, in chibi styles. The unique in it quickly gain fans attention, and it's not usual that I was interested to find out more about it.

When first I read the manga, I can enjoy the art, although it's a mess, but I can gasp the expressions of each characters. More than that, the story itself is more than enough reason for me to notice another masterpiece by japanese writer. Who cares with arts if you got a great story to tell? Though I got sick already with well drawn manga but have sucks story.

I quickly become a fan and as I read furthermore, reading the mangaka's interviews, I learned how he treat the characters equally. It's a very plus point for this manga because it seems like the mangaka have great understanding of people's personalities. Another thing that is great about this, is the fight scenes. It looks great because the mangaka understand martial art.

No story is perfect, and because I really like the story, I wrote rant on tumblr about how stupid Erwin Smith leads his men to sacrifice the troops and all, how uneffective 3DMG is (because it's melee weapon, used to fight overly powerful enemy, which is a big mistake in war strategy), I still have reasons to not drop the manga. Funny thing is, all of my rants and questions on the tumblr articles are answered one by one as I made progress on reading the story.

Shingeki no Kyojin is a masterpiece, although it's art is not beautiful, but everything describe very well in it.

Rate : "Manga you should read before you die"
Utsuro no Hako to Zero no Maria review
Thoughts on the First volume:
It was decent.
The story is about a teenage boy named Kazuki Hoshino who goes to school one day to find that a new transfer student named Aya Ontonashi has arrived, who declares war on him. That evening, she is found dead. The main character then discovers that his entire class have been reliving the same day (2nd of March) over and over again 27,000 times. Only Maria and sometimes Kazuki remember and at the end of the day, someone always dies.
The story is morally complex and has very well written and realistic characters, and the psychological taxation of the situation is not ignored. Imagery is well described and the book's true villains are revealed through some genuinely great plot twists. With that said, the book is far from flawless. After the first plot twist is revealed, the book's focus shifts to the necessity of one girl needing to accept her inevitable death in order to end the horror of the Repeating Classroom... The ending of the book ruins this and any tension involved for reasons I won't spoil. The ending also inexplicably undoes the removal of certain characters from existence, ruining all of the tragedy and horror that had been built up and making some of the more horrific deaths seem like pointless edge-fests. Also, while the rest of the characters are really interesting and well written, the main character just isn't. We learn nothing about his life and history or his personality beyond that he has a crush on another character (a girl named Mogi). I honestly think that Mogi herself would have actually been a far better main character due to her history and importance with what was going on, and her mentally unstable personality. Our lead by contrast is just a bland self-insert, and it almost made certain scenes boring.
I also don't understand why the book never even tries to show us how the parents and teachers are affected by the pseudo-time-looping that's going on, since apparently only the classroom and a few nearby areas actually go through the loop. We never even see our main characters interact with their families. Since it's established that time isn't really looping, it also makes no sense that the appropriate amount of time doesn't appear to have passed in the real world after the Repeating Classroom ends.
We also learn nothing about why the mysterious "O" (the true main villain) is so interested in Kazuki or why he put all of the other characters through the horrific events of the novel for so long despite himself getting bored of them. Aya also tells Kazuki a bizarre amount of things that she realistically wouldn't if she actually believed that he was lying, and to make matters worse, her reason for believing that he was lying make no sense:

Basically her goal was to find out who was behind the Repeating Classroom by finding out who remembered her real name from the previous time loop. The problem here is that no villain with a brain would ever tell her her real name in the first place, because that would give away everything. Instead of considering that he might remember for the same reasons she does, she instead assumes that he's a complete moron. This makes her entire plan to reveal her enemy feel incompetent, and counteracts every other attempt to make Aya come across as being ultra-intelligent.

So, overall the book is plot-hole ridden and shamefully edgy but has a lot of intrigue and a well put together mystery with mostly satisfying reveals, with only a few cop-outs. 6/10, recommended.
Made in Abyss review
This manga is, by far, the best I have ever read out of many. An amazing manga, a great show. The anime, however, is not what I am going to cover in this review. TL;DR at bottom if you wish to skip any possible spoilers.

Based on what I have seen, no reader has ever regretted reading it. It is a story of 2 children descending into the Abyss, more or less for reasons of their own, but share a common goal - to learn as much about this Abyss as they can, learn of how they came to be, and find their origins. For Riko, this is through finding her mother, who is supposedly at the bottom of this hole. For Reg, I am not sure. He hopes to regain some memories, and learn more about himself by descending.

It was the art that first had me hooked. Akihito Tsukushi is an amazing artist, and this manga is probably the best example of it.

Story: 10

Made in Abyss has so much to offer in the story. Throughout the orphanage, down to the Golden City, I have never been bored by this story. The easier times, more stressful times, and emotional times all kept me hooked. I love each and every page, none being wasted for filler. It is not only the descent of Reg, Riko, and Nanachi that is a reason for the story receiving a 10. The amount of lore and small details that can be learned is amazing. Relics, stories of delvers, and the layers add another layer of storytelling that I haven't seen in too many manga. The relics, other delvers, and the characters seen throughout all add depth.

Art: 9

The art. Also one of, if not the best art I have seen. Every single panel is a joy to look at, and some panels I have spent 5 or more minutes looking at. The landscaping is beautiful, and the amount of landscape panels makes reading this even more worth it. The character design is also very good, and I like how it somewhat strays from normal drawing. The art does lose a single mark, though. The reason I took a mark of is because some panels are a bit hard to understand what is really going on, mostly with landscape panels. After looking at the panel for a few extra seconds, I can see the layout, and why it was designed the way that it is, but some are a bit messy. The art alone is enough reason to read this.

Character: 8

Some of the character growth is hard to see, but the characters do improve after descending and meeting new characters. I mostly see this is Reg, how he grows from the Orphanage to Nanachi. During the time he spends with Nanachi, he seems to learn more of the Abyss. I think Reg is growing more than Riko, at least by what I see. The characters are done very well. A good example of this is Ozen. It is hard to describe why. She almost has this aura around her. I am very excited to see how more characters might get introduced, and how current ones will change.

Enjoyment: 10

As I said in the story section, this manga never failed to excite me. Every page wanted me to see, more and more, what happens next. Even during the hardest of times, the stress I felt pulled me in. I feel like in any action/adventure anime or manga, if I don't feel stressed, I'm not getting any enjoyment. This rule doesn't apply to slice of life, of course.

Overall: 9.7

I love this manga. Not much more I can say than that. Something about the feeling of the Abyss makes it all that more amazing. This manga is filled with emotion, expressed very well by the art and characters. It is beautiful, both in story and art. I would recommend this to anyone, whether they have read manga before, or haven't even considered it. It is a great read, great watch, and should be on everybody's list.

TL;DR: 9.7

The story and the art are amazing. It will rarely, if ever, make you bored. It is worth every minute you spend reading, and I would recommend if you haven't read it, to do so. It is the manga that has never left my memory, and I doubt it will. Some scenes do have to do with children suffering and gore, so beware.

Author's note*

This is my first review ever. I think this is a good manga to leave my first review on, and I tried my best. I may not be the best writer, but I tried to get my feelings of this manga across as well as possible!

If I could make any improvements, I will be sure to make them in my next review, whatever manga or anime that may be. I may also edit this review later on, after more chapters get released.
One Punch-Man review


Story - Spoiler alerts - (8 out of 10)

The story revolves on an unemployed man who became an unknown undefeatable superhero who has been saving the cities from dangerous atrocities done by evil monsters or humans. This superhero was called Saitama. Three years ago, on his way home, he met a dangerous crab monster after being rejected by a job interview, the crab monster spared Saitama's life after recognizing lifeless eyes of Saitama. In fact, Saitama wasn't the Crab monster's target, it was a cleft-chin boy who drew nipples on his chest.  Saitama, after saving a cleft-chin child, realized that his dream was to become a hero not a job-hunter. In fact, that was his childhood dream career.

After intensive training for 3 years, Saitama has become an overpowered hero who wins battles with merely one punch. Saitama's overpower made him bored and made his fights unenjoyable.

Art (10 out of 10)

The art of OPM is mesmerizing and most of the characters are definitely charming and has matured looks, especially our heroes and some of our villains.

Yusuke Murata's art of one punch man is so attractive, aesthetic, natural, pure & eye-catchy.  I respect him & love his art.

Character - Some spoiler alerts - ( 10 out of 10 )

Saitama: A 25 years old man with funny bored-look on his face who looks nice when serious and look good with hair. He was an unemployed man who became our overpowered placid unknown superhero after hard conventional training for 3 years without taking days off. He speaks less, dislikes it when people are talkative & is not serious during fights and that makes his enemies furious due to his careless actions. (I love him, he is funny and comedian.)

Saitama achieved his dream by becoming a superhero but lost enjoyment of battles.

Genos: A 19 years old cyborg, S-class hero of 17th rank & an ultimate loyal disciple of Saitama. His goal is to destroy the cyborg that destroyed his city and killed his people. He is loyal and looks up at Saitama with respect after being saved by Saitama & witnessing Saitama's power and using it for justice. He is quite talkative and is always serious.

My comment: I suggest you to read it's manga and to watch it's anime. It's worth watching and reading.. and you might like it. You have to give it a try first instead of judging it because of how overpowered is Saitama.

This is my first review and it's not that good. Forgive my grammar errors & errors regarding any line or repetition. I hope I get better in reviewing manga in the near future.

(Although I am currently enjoying the manga, I will still omit the enjoyment and overall parts for now because I am in chapter 12.)
Houseki no Kuni review
This is a review up to chapter 36, because that's all I've read.

This manga is very interesting. No not interesting because it grabs your attention, but it makes me want to talk about it so much.

Let's start with the art. Although the basic art style is not anything insane, the dark shading and unique character designs are really the main highlights of this manga. Characters look unique, and most of thin and tall, often many of them have very feminine traits, like long hair, smaller hands and longer fingers, as well as more refined and smooth eyes. This adds a layer to the manga, that I have not seen before really, it makes the experience more mind-bending and interesting for the audience. The art sets the mood of a mysterious, unknown world, as secrets are being uncovered every chapter.

The characters are fine in my opinion. The protagonist is going through some pretty good development, and his relationship and chemistry with cinnibar is contradicting and has potential to lead to an interesting development and climax. Most of the side characters don't get enough depth for me to say that they're great, but I'm sure that will change as I read more of the manga. (also ghost quartz is kinda hot if you know what I mean).

The plot is well-written and paced, the information that we receive doesn't feel like it's coming at us at one time, nor does it rely on flashback moments to convey important information. Right now, it's more like a mystery uncovering plot, where the protagonist has to piece together little bits of information to get to the truth. Nothing too much to say here. I do want to add that the plot amour in this is very minimal, so that's a plus.


Overall, there's nothing to complain about. And I know that this is just the first 36 chapters, but trust me, it's really good, and I definitely recommend this to you if you haven't read it already. In my opinion, this would probably become the new gen evangelion or madoka magica, which means it'll probably be my favorite new gen soon.
JoJo no Kimyou na Bouken Part 7: Steel Ball Run review
This part was great, one of the best of the series. Not a "masterpiece" as some people like to say, but still, it was amazing in its peak moments. If you are into JoJo, I highly recommend reading it, since the anime adaptation for this one may take many years to come out. Anyways, the rest of my review is full of spoilers, so be careful.

Story (8/10)
This part's premise is without a doubt one of the most creative. While other anime are mostly only in Japan or fictional worlds, JoJo once again recognizes other places in the real world and represents them properly, this time in the late 19th century USA, which is settling for the western cowboy story that is given to us. However, since it's a battle-seinen manga it will drag you into a lot of fights, and this part has some weak ones (Boom Boom Family) and the beginning is awful. Yet, the final fight (against Valentine) is amazing and will probably be the best in the series when animated. I also loved Disco.
Being the first part in a new universe, the elements brought here are some of the most interesting, like the holy corpse and the spin technique, a great complement to the stand battles that SBR also has. The story being focused on two main characters opens room for more characterization, and the protagonist here really has depth and development (one of the few in the series to have something like this), as we see him growing from a cocky brat that thinks too much of himself just because he is good at horse racing to a humble, kind (and traumatized) professional jockey that cares about his friends and family.
Talking so greatly about the story, the score I gave to this manga seems lower than deserved. Well, that's because it has a lot of flaws, and I left it all later on.

Art (9/10)
Once again, the art of the most recent JoJo series is great and unique as it always were, althought Stone Ocean's art was better. The character design is one of the most creative, wheter it's Johnny's cowboy style and hair shaped as devil horns, Oyecomova's Dia de Los Muertos design or Wekapipo's waffle-shaped hair, and so it goes. The different parts from the west to east of the USA are also very detailed and certainly gives this manga a reason to be outstanding, and also the diversity we have in the characters. A thing that I like about JoJo is that it's one of the few series to aknowledge the existence of other ethnicities and cultures, here having Oyecomova, Sandman and Pocoloco as examples. If you pick other manga or anime they'll probably show only white-skinned people and represent all americans as blonde people with blue eyes, as if it was a an european country.

Character (3/10)
Here is where things start to go down. This part has a lot of characters besides the main group and the villains, each one of them with their very own storyline, mostly unsolved when it ends.
Starting with the main characters, I already mentioned Johnny, this part's protagonist. People love to trash on him for being "selfish" while Valentine is "selfless", and I disagree. He might not have ambitious goals like "being the number one" "reaching the top" or whatever, but that makes him and most JoJo protagonists more realistic. His story is about surviving and evolving as a person while protecting the ones he cares about, the same as it was with Joseph, Josuke and specially Jonathan, his original universe counterpart, and none of them are selfish for that.
As for the other main character, Gyro is funny, entertaining and determined, being a great mentor to Johnny, yet his arc is a total dumpster fire. Unlike Johnny, he wants to win the race and has a reason for that, that being that he needs it to save someone's life. Basically he comes from a noble, wealthy family of executioners whose job is treated as honorable (besides this position never being a good one, take Ilyn Payne from the medieval-based A Song of Ice and Fire for example) and we have to see his father shit-talking about it A FUCKING LOT, and it's basically cutting people's heads off it's nothing to be proud for, I've seen other monarchic stories with contexts like this Zeppeli's family but this is too forced to the point that is ridiculous. It worsens when we hear about Marco, a 9-year-old boy who is a servant at a noble man's house and when this guy conspires against the king, the fucking POLICE and state intelligence somehow states that the poor boy somehow took part in the conspiracy and sentences him to be executed by Gyro. This isn't just a plothole, it's a massive crater. First, why the hell would they care about a plebeian child's life so much they would wait months for Gyro to win a race on the other side of the world to see if they kill him or not? Why would they accuse a child of conspiracy, and if he somehow was actually guilty, would they pardon a traitor of the state just because a guy won a race in the USA? All of this absurdity is brought up a lot in this part which is also full of absurds, but the problem is that this one is treated SERIOUSLY with Gregorio's babbling about the "honor" of killing a child. Basically, Gregorio and Marco are some of the worst characters in this part and they ruin Gyro's character. If he was an almost no backstory ally such as Kakyoin or Mamezuku he would be better, or if he was at least given a better backstory.
The third main character of this story is Diego Brando, a counterpart of Dio. While Dio was fun to watch but still was a weak, generic villain whose goals were the same of a cancer cell (conquering just because of conquering), Diego outstands as the best reread character from the original universe in SBR. He still resembles Dio and still is an antagonist, but his goals and personality are reasonable and so are his relations with other characters such as Hot Pants. All of this makes the character more realistic, a thing that Dio never was, even if the guy can turn into a dinosaur and eat rocks.
Hot Pants is the same, one of the best original characters this part gave us. Besides the ones in part 6, women in JoJo are usually represented as weak, clingy and or powerless, and with her it seems that it finally changes, even if it's just one time. Although she has less screentime than deserved, her scenes are amazing and she is great in the fight she protagonizes. She is paired with Diego and it's one of the few official couples in JoJo that doesn't feel forced, they are their own characters and don't need to clinge on each other to have a personality, still, they are great together.
Returning to the bad characters, Lucy was a terrible counterpart of Erina besides being more relevant than her. After the failed attempt of making her a main character she sticks in the part to be a damsel in distress, also being molested and drawn naked a lot besides being 14 years old (Really, Araki?), she may not be hateful, but it's terrible how she is treated by the story. A shame, because if she was good we would have the first badass non-stand user in Jojo since part 4 (well she actually has as stand, but she just never uses it).
For the others, Wekapipo took a brief role, but it was still nice to see him fighting and his relation with Gyro. Pocoloco and Norisuke also appeared too few times, and it's strange if you think that they were the ones who won the race in the end. And Sandman, I expected WAY MORE of him. He was the first character we saw in this part and new universe, he had more reasons to win than the rest and was determined to cross the whole country on foot for it. Yet, his character takes a 180º and decides to work for Valentine, god knows why. Also his name is not Soundman.
The main villain Valentine, besides suffering some retcon since the beginning, he was a good, participative antagonist. He had good motivations, mostly, but still was hypocritical and perverse, but yeah, he is the villain after all. Not my favorite, but definitely one of the best antagonists of the series. However, his personality and motivations are ruined by the end, when this character who is supposed to care about his country and do everything for it decides it would be nice to give an unlimited power source to a man he thinks is a lunatic, just because he wants to get revenge on Johnny.

Story Part 2 - The awful ending
As I said, we have a lot of character arcs and no closure for most of them. Yeah they have to die at some point, but the way it is done makes you wonder what was the point, like Wekapipo's case. There is also Hot Pants that is thrown off a train and we never see a final scene of her, not even a body, and Pocoloco, winner of the GODDAMN RACE THIS PART IS ABOUT, who never appears again nor have any conclusion to his story. Gyro's arc also ends like a joke, with the boy he died to save said to be "later he died from a cold". This is something I would expect to see in shows like South Park, for instance, and not in the end of an amazing manga. For the "father dillema" that takes a role in this part, while George Joestar's story had a conclusion with him asking for forgiveness for what he made his son endure and being forgiven later on, Gregorio Zeppeli never appears again, he suffers zero consequences for all the shit he has done to his son and that's it.
It pains me that Araki could've done a proper conclusion to all of this, but instead he decides to surrender himself to fanservice and squeezed the terribly placed, nonsense arc of High Voltage, the worst part of SBR. Starting with Valentine throwing out his character by bringing the AU Diego to this universe, this arc gives a fight that makes you question what are you reading. I mean, the main villain died but battles are still happening? And for what? AU Diego takes out Johnny just to be defeated by fucking Lucy Steel. This entire arc was an unnecessary nonsense and trashed the original Diego and Valentine's characters, just so you could have some Dio and The World fanservice. I REALLY hope it gets cut off when animated.

Enjoyment (6/10)
Is the ending good? Yeah, if you just consider Johnny, Gyro and Valentine. It could have ended with Valentine as the actual final fight and a closure later on, but that's just my opinion. I loved a lot of things from this part and hated some others, but I liked it and would read it again. It sucks that only Johnny and Lucy survived out of the main characters, I pesonally loved Diego and Hot Pants and wished to see more of them, but yeah, the best version of Dio couldn't make it.

Overall (7/10)
I think I said it all. People like this part and they have every reason to do it, I recommend it to people who have seen the previous parts, because it's really great, being the last good part of JoJo's Bizarre Adventure.
Koe no Katachi review
Story:
The idea for this story is something so real, and it's about a guy doing something that so many of us wish we had the guts to do. He has become a victim of bullying as a result of bullying a girl until she had to drop out of school, and now he wants to apologize to her. Whether or not he actually deserves to be forgiven is up for debate. You see the cruel things he did to her, and the cruel things done to him in turn. It's hard to sympathize with the terrible things he did, yet at the same time you find yourself feeling sorry for him.

Art:
The artwork was pretty different from that to which I am accustomed, but I got used to it pretty quickly. It's not bad, but unique, and it's done nicely in its own unique way.

Character:
While some characters are pretty two-dimensional, most of them have more depth. This story deals with something so simplistic and turns it into a plot. What is that simplistic thing? Kids are cruel. They lack sympathy and do terrible things to people in order to have fun. Sometimes the only way for them to understand that they're a bully is by becoming a victim.

Enjoyment:
I've never quite understood the "slice of life" genre before. What constitutes as "slice of life"? It's fiction, so how am I supposed to relate to it? This manga was what finally made me understand the genre. While it's circumstances are extreme, it deals with something so real. To whatever level it was done, when you were a kid, you were probably bullied, and like it or not, you probably WERE the bully at points. I know I was. I always thought I was being bullied, and it's true that I was. Though when I look back at some of the things I did, I was also a bully, for no other reason than the fact that my peers and I thought toying with people's emotions was fun.
Reading this manga made me want to go back in time so I could apologize to the people I hurt, because I know how much it hurt. The cycle of bullying shifts, and the bully becomes the victim, and the victim becomes the bully. Over time we regret, and we beat ourselves up for that. In the end, sometimes the person who bullies you the most is yourself. This manga cuts deep; it hits close to home, and you can't help but be curious as to see what happens next, and there is likely at least one character you'll be able to relate to.
Shingeki no Kyojin review
I quickly drawned into this story several moments after the chibi collosal titan posted by people on my facebook news feeds. Along with it, I also notice some characters in certain uniform which later I notice as scout legion uniform, in chibi styles. The unique in it quickly gain fans attention, and it's not usual that I was interested to find out more about it.

When first I read the manga, I can enjoy the art, although it's a mess, but I can gasp the expressions of each characters. More than that, the story itself is more than enough reason for me to notice another masterpiece by japanese writer. Who cares with arts if you got a great story to tell? Though I got sick already with well drawn manga but have sucks story.

I quickly become a fan and as I read furthermore, reading the mangaka's interviews, I learned how he treat the characters equally. It's a very plus point for this manga because it seems like the mangaka have great understanding of people's personalities. Another thing that is great about this, is the fight scenes. It looks great because the mangaka understand martial art.

No story is perfect, and because I really like the story, I wrote rant on tumblr about how stupid Erwin Smith leads his men to sacrifice the troops and all, how uneffective 3DMG is (because it's melee weapon, used to fight overly powerful enemy, which is a big mistake in war strategy), I still have reasons to not drop the manga. Funny thing is, all of my rants and questions on the tumblr articles are answered one by one as I made progress on reading the story.

Shingeki no Kyojin is a masterpiece, although it's art is not beautiful, but everything describe very well in it.

Rate : "Manga you should read before you die"
Utsuro no Hako to Zero no Maria review
Thoughts on the First volume:
It was decent.
The story is about a teenage boy named Kazuki Hoshino who goes to school one day to find that a new transfer student named Aya Ontonashi has arrived, who declares war on him. That evening, she is found dead. The main character then discovers that his entire class have been reliving the same day (2nd of March) over and over again 27,000 times. Only Maria and sometimes Kazuki remember and at the end of the day, someone always dies.
The story is morally complex and has very well written and realistic characters, and the psychological taxation of the situation is not ignored. Imagery is well described and the book's true villains are revealed through some genuinely great plot twists. With that said, the book is far from flawless. After the first plot twist is revealed, the book's focus shifts to the necessity of one girl needing to accept her inevitable death in order to end the horror of the Repeating Classroom... The ending of the book ruins this and any tension involved for reasons I won't spoil. The ending also inexplicably undoes the removal of certain characters from existence, ruining all of the tragedy and horror that had been built up and making some of the more horrific deaths seem like pointless edge-fests. Also, while the rest of the characters are really interesting and well written, the main character just isn't. We learn nothing about his life and history or his personality beyond that he has a crush on another character (a girl named Mogi). I honestly think that Mogi herself would have actually been a far better main character due to her history and importance with what was going on, and her mentally unstable personality. Our lead by contrast is just a bland self-insert, and it almost made certain scenes boring.
I also don't understand why the book never even tries to show us how the parents and teachers are affected by the pseudo-time-looping that's going on, since apparently only the classroom and a few nearby areas actually go through the loop. We never even see our main characters interact with their families. Since it's established that time isn't really looping, it also makes no sense that the appropriate amount of time doesn't appear to have passed in the real world after the Repeating Classroom ends.
We also learn nothing about why the mysterious "O" (the true main villain) is so interested in Kazuki or why he put all of the other characters through the horrific events of the novel for so long despite himself getting bored of them. Aya also tells Kazuki a bizarre amount of things that she realistically wouldn't if she actually believed that he was lying, and to make matters worse, her reason for believing that he was lying make no sense:

Basically her goal was to find out who was behind the Repeating Classroom by finding out who remembered her real name from the previous time loop. The problem here is that no villain with a brain would ever tell her her real name in the first place, because that would give away everything. Instead of considering that he might remember for the same reasons she does, she instead assumes that he's a complete moron. This makes her entire plan to reveal her enemy feel incompetent, and counteracts every other attempt to make Aya come across as being ultra-intelligent.

So, overall the book is plot-hole ridden and shamefully edgy but has a lot of intrigue and a well put together mystery with mostly satisfying reveals, with only a few cop-outs. 6/10, recommended.
Made in Abyss review
This manga is, by far, the best I have ever read out of many. An amazing manga, a great show. The anime, however, is not what I am going to cover in this review. TL;DR at bottom if you wish to skip any possible spoilers.

Based on what I have seen, no reader has ever regretted reading it. It is a story of 2 children descending into the Abyss, more or less for reasons of their own, but share a common goal - to learn as much about this Abyss as they can, learn of how they came to be, and find their origins. For Riko, this is through finding her mother, who is supposedly at the bottom of this hole. For Reg, I am not sure. He hopes to regain some memories, and learn more about himself by descending.

It was the art that first had me hooked. Akihito Tsukushi is an amazing artist, and this manga is probably the best example of it.

Story: 10

Made in Abyss has so much to offer in the story. Throughout the orphanage, down to the Golden City, I have never been bored by this story. The easier times, more stressful times, and emotional times all kept me hooked. I love each and every page, none being wasted for filler. It is not only the descent of Reg, Riko, and Nanachi that is a reason for the story receiving a 10. The amount of lore and small details that can be learned is amazing. Relics, stories of delvers, and the layers add another layer of storytelling that I haven't seen in too many manga. The relics, other delvers, and the characters seen throughout all add depth.

Art: 9

The art. Also one of, if not the best art I have seen. Every single panel is a joy to look at, and some panels I have spent 5 or more minutes looking at. The landscaping is beautiful, and the amount of landscape panels makes reading this even more worth it. The character design is also very good, and I like how it somewhat strays from normal drawing. The art does lose a single mark, though. The reason I took a mark of is because some panels are a bit hard to understand what is really going on, mostly with landscape panels. After looking at the panel for a few extra seconds, I can see the layout, and why it was designed the way that it is, but some are a bit messy. The art alone is enough reason to read this.

Character: 8

Some of the character growth is hard to see, but the characters do improve after descending and meeting new characters. I mostly see this is Reg, how he grows from the Orphanage to Nanachi. During the time he spends with Nanachi, he seems to learn more of the Abyss. I think Reg is growing more than Riko, at least by what I see. The characters are done very well. A good example of this is Ozen. It is hard to describe why. She almost has this aura around her. I am very excited to see how more characters might get introduced, and how current ones will change.

Enjoyment: 10

As I said in the story section, this manga never failed to excite me. Every page wanted me to see, more and more, what happens next. Even during the hardest of times, the stress I felt pulled me in. I feel like in any action/adventure anime or manga, if I don't feel stressed, I'm not getting any enjoyment. This rule doesn't apply to slice of life, of course.

Overall: 9.7

I love this manga. Not much more I can say than that. Something about the feeling of the Abyss makes it all that more amazing. This manga is filled with emotion, expressed very well by the art and characters. It is beautiful, both in story and art. I would recommend this to anyone, whether they have read manga before, or haven't even considered it. It is a great read, great watch, and should be on everybody's list.

TL;DR: 9.7

The story and the art are amazing. It will rarely, if ever, make you bored. It is worth every minute you spend reading, and I would recommend if you haven't read it, to do so. It is the manga that has never left my memory, and I doubt it will. Some scenes do have to do with children suffering and gore, so beware.

Author's note*

This is my first review ever. I think this is a good manga to leave my first review on, and I tried my best. I may not be the best writer, but I tried to get my feelings of this manga across as well as possible!

If I could make any improvements, I will be sure to make them in my next review, whatever manga or anime that may be. I may also edit this review later on, after more chapters get released.
One Punch-Man review


Story - Spoiler alerts - (8 out of 10)

The story revolves on an unemployed man who became an unknown undefeatable superhero who has been saving the cities from dangerous atrocities done by evil monsters or humans. This superhero was called Saitama. Three years ago, on his way home, he met a dangerous crab monster after being rejected by a job interview, the crab monster spared Saitama's life after recognizing lifeless eyes of Saitama. In fact, Saitama wasn't the Crab monster's target, it was a cleft-chin boy who drew nipples on his chest.  Saitama, after saving a cleft-chin child, realized that his dream was to become a hero not a job-hunter. In fact, that was his childhood dream career.

After intensive training for 3 years, Saitama has become an overpowered hero who wins battles with merely one punch. Saitama's overpower made him bored and made his fights unenjoyable.

Art (10 out of 10)

The art of OPM is mesmerizing and most of the characters are definitely charming and has matured looks, especially our heroes and some of our villains.

Yusuke Murata's art of one punch man is so attractive, aesthetic, natural, pure & eye-catchy.  I respect him & love his art.

Character - Some spoiler alerts - ( 10 out of 10 )

Saitama: A 25 years old man with funny bored-look on his face who looks nice when serious and look good with hair. He was an unemployed man who became our overpowered placid unknown superhero after hard conventional training for 3 years without taking days off. He speaks less, dislikes it when people are talkative & is not serious during fights and that makes his enemies furious due to his careless actions. (I love him, he is funny and comedian.)

Saitama achieved his dream by becoming a superhero but lost enjoyment of battles.

Genos: A 19 years old cyborg, S-class hero of 17th rank & an ultimate loyal disciple of Saitama. His goal is to destroy the cyborg that destroyed his city and killed his people. He is loyal and looks up at Saitama with respect after being saved by Saitama & witnessing Saitama's power and using it for justice. He is quite talkative and is always serious.

My comment: I suggest you to read it's manga and to watch it's anime. It's worth watching and reading.. and you might like it. You have to give it a try first instead of judging it because of how overpowered is Saitama.

This is my first review and it's not that good. Forgive my grammar errors & errors regarding any line or repetition. I hope I get better in reviewing manga in the near future.

(Although I am currently enjoying the manga, I will still omit the enjoyment and overall parts for now because I am in chapter 12.)
Houseki no Kuni review
This is a review up to chapter 36, because that's all I've read.

This manga is very interesting. No not interesting because it grabs your attention, but it makes me want to talk about it so much.

Let's start with the art. Although the basic art style is not anything insane, the dark shading and unique character designs are really the main highlights of this manga. Characters look unique, and most of thin and tall, often many of them have very feminine traits, like long hair, smaller hands and longer fingers, as well as more refined and smooth eyes. This adds a layer to the manga, that I have not seen before really, it makes the experience more mind-bending and interesting for the audience. The art sets the mood of a mysterious, unknown world, as secrets are being uncovered every chapter.

The characters are fine in my opinion. The protagonist is going through some pretty good development, and his relationship and chemistry with cinnibar is contradicting and has potential to lead to an interesting development and climax. Most of the side characters don't get enough depth for me to say that they're great, but I'm sure that will change as I read more of the manga. (also ghost quartz is kinda hot if you know what I mean).

The plot is well-written and paced, the information that we receive doesn't feel like it's coming at us at one time, nor does it rely on flashback moments to convey important information. Right now, it's more like a mystery uncovering plot, where the protagonist has to piece together little bits of information to get to the truth. Nothing too much to say here. I do want to add that the plot amour in this is very minimal, so that's a plus.


Overall, there's nothing to complain about. And I know that this is just the first 36 chapters, but trust me, it's really good, and I definitely recommend this to you if you haven't read it already. In my opinion, this would probably become the new gen evangelion or madoka magica, which means it'll probably be my favorite new gen soon.
JoJo no Kimyou na Bouken Part 7: Steel Ball Run review
This part was great, one of the best of the series. Not a "masterpiece" as some people like to say, but still, it was amazing in its peak moments. If you are into JoJo, I highly recommend reading it, since the anime adaptation for this one may take many years to come out. Anyways, the rest of my review is full of spoilers, so be careful.

Story (8/10)
This part's premise is without a doubt one of the most creative. While other anime are mostly only in Japan or fictional worlds, JoJo once again recognizes other places in the real world and represents them properly, this time in the late 19th century USA, which is settling for the western cowboy story that is given to us. However, since it's a battle-seinen manga it will drag you into a lot of fights, and this part has some weak ones (Boom Boom Family) and the beginning is awful. Yet, the final fight (against Valentine) is amazing and will probably be the best in the series when animated. I also loved Disco.
Being the first part in a new universe, the elements brought here are some of the most interesting, like the holy corpse and the spin technique, a great complement to the stand battles that SBR also has. The story being focused on two main characters opens room for more characterization, and the protagonist here really has depth and development (one of the few in the series to have something like this), as we see him growing from a cocky brat that thinks too much of himself just because he is good at horse racing to a humble, kind (and traumatized) professional jockey that cares about his friends and family.
Talking so greatly about the story, the score I gave to this manga seems lower than deserved. Well, that's because it has a lot of flaws, and I left it all later on.

Art (9/10)
Once again, the art of the most recent JoJo series is great and unique as it always were, althought Stone Ocean's art was better. The character design is one of the most creative, wheter it's Johnny's cowboy style and hair shaped as devil horns, Oyecomova's Dia de Los Muertos design or Wekapipo's waffle-shaped hair, and so it goes. The different parts from the west to east of the USA are also very detailed and certainly gives this manga a reason to be outstanding, and also the diversity we have in the characters. A thing that I like about JoJo is that it's one of the few series to aknowledge the existence of other ethnicities and cultures, here having Oyecomova, Sandman and Pocoloco as examples. If you pick other manga or anime they'll probably show only white-skinned people and represent all americans as blonde people with blue eyes, as if it was a an european country.

Character (3/10)
Here is where things start to go down. This part has a lot of characters besides the main group and the villains, each one of them with their very own storyline, mostly unsolved when it ends.
Starting with the main characters, I already mentioned Johnny, this part's protagonist. People love to trash on him for being "selfish" while Valentine is "selfless", and I disagree. He might not have ambitious goals like "being the number one" "reaching the top" or whatever, but that makes him and most JoJo protagonists more realistic. His story is about surviving and evolving as a person while protecting the ones he cares about, the same as it was with Joseph, Josuke and specially Jonathan, his original universe counterpart, and none of them are selfish for that.
As for the other main character, Gyro is funny, entertaining and determined, being a great mentor to Johnny, yet his arc is a total dumpster fire. Unlike Johnny, he wants to win the race and has a reason for that, that being that he needs it to save someone's life. Basically he comes from a noble, wealthy family of executioners whose job is treated as honorable (besides this position never being a good one, take Ilyn Payne from the medieval-based A Song of Ice and Fire for example) and we have to see his father shit-talking about it A FUCKING LOT, and it's basically cutting people's heads off it's nothing to be proud for, I've seen other monarchic stories with contexts like this Zeppeli's family but this is too forced to the point that is ridiculous. It worsens when we hear about Marco, a 9-year-old boy who is a servant at a noble man's house and when this guy conspires against the king, the fucking POLICE and state intelligence somehow states that the poor boy somehow took part in the conspiracy and sentences him to be executed by Gyro. This isn't just a plothole, it's a massive crater. First, why the hell would they care about a plebeian child's life so much they would wait months for Gyro to win a race on the other side of the world to see if they kill him or not? Why would they accuse a child of conspiracy, and if he somehow was actually guilty, would they pardon a traitor of the state just because a guy won a race in the USA? All of this absurdity is brought up a lot in this part which is also full of absurds, but the problem is that this one is treated SERIOUSLY with Gregorio's babbling about the "honor" of killing a child. Basically, Gregorio and Marco are some of the worst characters in this part and they ruin Gyro's character. If he was an almost no backstory ally such as Kakyoin or Mamezuku he would be better, or if he was at least given a better backstory.
The third main character of this story is Diego Brando, a counterpart of Dio. While Dio was fun to watch but still was a weak, generic villain whose goals were the same of a cancer cell (conquering just because of conquering), Diego outstands as the best reread character from the original universe in SBR. He still resembles Dio and still is an antagonist, but his goals and personality are reasonable and so are his relations with other characters such as Hot Pants. All of this makes the character more realistic, a thing that Dio never was, even if the guy can turn into a dinosaur and eat rocks.
Hot Pants is the same, one of the best original characters this part gave us. Besides the ones in part 6, women in JoJo are usually represented as weak, clingy and or powerless, and with her it seems that it finally changes, even if it's just one time. Although she has less screentime than deserved, her scenes are amazing and she is great in the fight she protagonizes. She is paired with Diego and it's one of the few official couples in JoJo that doesn't feel forced, they are their own characters and don't need to clinge on each other to have a personality, still, they are great together.
Returning to the bad characters, Lucy was a terrible counterpart of Erina besides being more relevant than her. After the failed attempt of making her a main character she sticks in the part to be a damsel in distress, also being molested and drawn naked a lot besides being 14 years old (Really, Araki?), she may not be hateful, but it's terrible how she is treated by the story. A shame, because if she was good we would have the first badass non-stand user in Jojo since part 4 (well she actually has as stand, but she just never uses it).
For the others, Wekapipo took a brief role, but it was still nice to see him fighting and his relation with Gyro. Pocoloco and Norisuke also appeared too few times, and it's strange if you think that they were the ones who won the race in the end. And Sandman, I expected WAY MORE of him. He was the first character we saw in this part and new universe, he had more reasons to win than the rest and was determined to cross the whole country on foot for it. Yet, his character takes a 180º and decides to work for Valentine, god knows why. Also his name is not Soundman.
The main villain Valentine, besides suffering some retcon since the beginning, he was a good, participative antagonist. He had good motivations, mostly, but still was hypocritical and perverse, but yeah, he is the villain after all. Not my favorite, but definitely one of the best antagonists of the series. However, his personality and motivations are ruined by the end, when this character who is supposed to care about his country and do everything for it decides it would be nice to give an unlimited power source to a man he thinks is a lunatic, just because he wants to get revenge on Johnny.

Story Part 2 - The awful ending
As I said, we have a lot of character arcs and no closure for most of them. Yeah they have to die at some point, but the way it is done makes you wonder what was the point, like Wekapipo's case. There is also Hot Pants that is thrown off a train and we never see a final scene of her, not even a body, and Pocoloco, winner of the GODDAMN RACE THIS PART IS ABOUT, who never appears again nor have any conclusion to his story. Gyro's arc also ends like a joke, with the boy he died to save said to be "later he died from a cold". This is something I would expect to see in shows like South Park, for instance, and not in the end of an amazing manga. For the "father dillema" that takes a role in this part, while George Joestar's story had a conclusion with him asking for forgiveness for what he made his son endure and being forgiven later on, Gregorio Zeppeli never appears again, he suffers zero consequences for all the shit he has done to his son and that's it.
It pains me that Araki could've done a proper conclusion to all of this, but instead he decides to surrender himself to fanservice and squeezed the terribly placed, nonsense arc of High Voltage, the worst part of SBR. Starting with Valentine throwing out his character by bringing the AU Diego to this universe, this arc gives a fight that makes you question what are you reading. I mean, the main villain died but battles are still happening? And for what? AU Diego takes out Johnny just to be defeated by fucking Lucy Steel. This entire arc was an unnecessary nonsense and trashed the original Diego and Valentine's characters, just so you could have some Dio and The World fanservice. I REALLY hope it gets cut off when animated.

Enjoyment (6/10)
Is the ending good? Yeah, if you just consider Johnny, Gyro and Valentine. It could have ended with Valentine as the actual final fight and a closure later on, but that's just my opinion. I loved a lot of things from this part and hated some others, but I liked it and would read it again. It sucks that only Johnny and Lucy survived out of the main characters, I pesonally loved Diego and Hot Pants and wished to see more of them, but yeah, the best version of Dio couldn't make it.

Overall (7/10)
I think I said it all. People like this part and they have every reason to do it, I recommend it to people who have seen the previous parts, because it's really great, being the last good part of JoJo's Bizarre Adventure.
Koe no Katachi review
Story:
The idea for this story is something so real, and it's about a guy doing something that so many of us wish we had the guts to do. He has become a victim of bullying as a result of bullying a girl until she had to drop out of school, and now he wants to apologize to her. Whether or not he actually deserves to be forgiven is up for debate. You see the cruel things he did to her, and the cruel things done to him in turn. It's hard to sympathize with the terrible things he did, yet at the same time you find yourself feeling sorry for him.

Art:
The artwork was pretty different from that to which I am accustomed, but I got used to it pretty quickly. It's not bad, but unique, and it's done nicely in its own unique way.

Character:
While some characters are pretty two-dimensional, most of them have more depth. This story deals with something so simplistic and turns it into a plot. What is that simplistic thing? Kids are cruel. They lack sympathy and do terrible things to people in order to have fun. Sometimes the only way for them to understand that they're a bully is by becoming a victim.

Enjoyment:
I've never quite understood the "slice of life" genre before. What constitutes as "slice of life"? It's fiction, so how am I supposed to relate to it? This manga was what finally made me understand the genre. While it's circumstances are extreme, it deals with something so real. To whatever level it was done, when you were a kid, you were probably bullied, and like it or not, you probably WERE the bully at points. I know I was. I always thought I was being bullied, and it's true that I was. Though when I look back at some of the things I did, I was also a bully, for no other reason than the fact that my peers and I thought toying with people's emotions was fun.
Reading this manga made me want to go back in time so I could apologize to the people I hurt, because I know how much it hurt. The cycle of bullying shifts, and the bully becomes the victim, and the victim becomes the bully. Over time we regret, and we beat ourselves up for that. In the end, sometimes the person who bullies you the most is yourself. This manga cuts deep; it hits close to home, and you can't help but be curious as to see what happens next, and there is likely at least one character you'll be able to relate to.
Shingeki no Kyojin review
I quickly drawned into this story several moments after the chibi collosal titan posted by people on my facebook news feeds. Along with it, I also notice some characters in certain uniform which later I notice as scout legion uniform, in chibi styles. The unique in it quickly gain fans attention, and it's not usual that I was interested to find out more about it.

When first I read the manga, I can enjoy the art, although it's a mess, but I can gasp the expressions of each characters. More than that, the story itself is more than enough reason for me to notice another masterpiece by japanese writer. Who cares with arts if you got a great story to tell? Though I got sick already with well drawn manga but have sucks story.

I quickly become a fan and as I read furthermore, reading the mangaka's interviews, I learned how he treat the characters equally. It's a very plus point for this manga because it seems like the mangaka have great understanding of people's personalities. Another thing that is great about this, is the fight scenes. It looks great because the mangaka understand martial art.

No story is perfect, and because I really like the story, I wrote rant on tumblr about how stupid Erwin Smith leads his men to sacrifice the troops and all, how uneffective 3DMG is (because it's melee weapon, used to fight overly powerful enemy, which is a big mistake in war strategy), I still have reasons to not drop the manga. Funny thing is, all of my rants and questions on the tumblr articles are answered one by one as I made progress on reading the story.

Shingeki no Kyojin is a masterpiece, although it's art is not beautiful, but everything describe very well in it.

Rate : "Manga you should read before you die"
Utsuro no Hako to Zero no Maria review
Thoughts on the First volume:
It was decent.
The story is about a teenage boy named Kazuki Hoshino who goes to school one day to find that a new transfer student named Aya Ontonashi has arrived, who declares war on him. That evening, she is found dead. The main character then discovers that his entire class have been reliving the same day (2nd of March) over and over again 27,000 times. Only Maria and sometimes Kazuki remember and at the end of the day, someone always dies.
The story is morally complex and has very well written and realistic characters, and the psychological taxation of the situation is not ignored. Imagery is well described and the book's true villains are revealed through some genuinely great plot twists. With that said, the book is far from flawless. After the first plot twist is revealed, the book's focus shifts to the necessity of one girl needing to accept her inevitable death in order to end the horror of the Repeating Classroom... The ending of the book ruins this and any tension involved for reasons I won't spoil. The ending also inexplicably undoes the removal of certain characters from existence, ruining all of the tragedy and horror that had been built up and making some of the more horrific deaths seem like pointless edge-fests. Also, while the rest of the characters are really interesting and well written, the main character just isn't. We learn nothing about his life and history or his personality beyond that he has a crush on another character (a girl named Mogi). I honestly think that Mogi herself would have actually been a far better main character due to her history and importance with what was going on, and her mentally unstable personality. Our lead by contrast is just a bland self-insert, and it almost made certain scenes boring.
I also don't understand why the book never even tries to show us how the parents and teachers are affected by the pseudo-time-looping that's going on, since apparently only the classroom and a few nearby areas actually go through the loop. We never even see our main characters interact with their families. Since it's established that time isn't really looping, it also makes no sense that the appropriate amount of time doesn't appear to have passed in the real world after the Repeating Classroom ends.
We also learn nothing about why the mysterious "O" (the true main villain) is so interested in Kazuki or why he put all of the other characters through the horrific events of the novel for so long despite himself getting bored of them. Aya also tells Kazuki a bizarre amount of things that she realistically wouldn't if she actually believed that he was lying, and to make matters worse, her reason for believing that he was lying make no sense:

Basically her goal was to find out who was behind the Repeating Classroom by finding out who remembered her real name from the previous time loop. The problem here is that no villain with a brain would ever tell her her real name in the first place, because that would give away everything. Instead of considering that he might remember for the same reasons she does, she instead assumes that he's a complete moron. This makes her entire plan to reveal her enemy feel incompetent, and counteracts every other attempt to make Aya come across as being ultra-intelligent.

So, overall the book is plot-hole ridden and shamefully edgy but has a lot of intrigue and a well put together mystery with mostly satisfying reveals, with only a few cop-outs. 6/10, recommended.
Made in Abyss review
This manga is, by far, the best I have ever read out of many. An amazing manga, a great show. The anime, however, is not what I am going to cover in this review. TL;DR at bottom if you wish to skip any possible spoilers.

Based on what I have seen, no reader has ever regretted reading it. It is a story of 2 children descending into the Abyss, more or less for reasons of their own, but share a common goal - to learn as much about this Abyss as they can, learn of how they came to be, and find their origins. For Riko, this is through finding her mother, who is supposedly at the bottom of this hole. For Reg, I am not sure. He hopes to regain some memories, and learn more about himself by descending.

It was the art that first had me hooked. Akihito Tsukushi is an amazing artist, and this manga is probably the best example of it.

Story: 10

Made in Abyss has so much to offer in the story. Throughout the orphanage, down to the Golden City, I have never been bored by this story. The easier times, more stressful times, and emotional times all kept me hooked. I love each and every page, none being wasted for filler. It is not only the descent of Reg, Riko, and Nanachi that is a reason for the story receiving a 10. The amount of lore and small details that can be learned is amazing. Relics, stories of delvers, and the layers add another layer of storytelling that I haven't seen in too many manga. The relics, other delvers, and the characters seen throughout all add depth.

Art: 9

The art. Also one of, if not the best art I have seen. Every single panel is a joy to look at, and some panels I have spent 5 or more minutes looking at. The landscaping is beautiful, and the amount of landscape panels makes reading this even more worth it. The character design is also very good, and I like how it somewhat strays from normal drawing. The art does lose a single mark, though. The reason I took a mark of is because some panels are a bit hard to understand what is really going on, mostly with landscape panels. After looking at the panel for a few extra seconds, I can see the layout, and why it was designed the way that it is, but some are a bit messy. The art alone is enough reason to read this.

Character: 8

Some of the character growth is hard to see, but the characters do improve after descending and meeting new characters. I mostly see this is Reg, how he grows from the Orphanage to Nanachi. During the time he spends with Nanachi, he seems to learn more of the Abyss. I think Reg is growing more than Riko, at least by what I see. The characters are done very well. A good example of this is Ozen. It is hard to describe why. She almost has this aura around her. I am very excited to see how more characters might get introduced, and how current ones will change.

Enjoyment: 10

As I said in the story section, this manga never failed to excite me. Every page wanted me to see, more and more, what happens next. Even during the hardest of times, the stress I felt pulled me in. I feel like in any action/adventure anime or manga, if I don't feel stressed, I'm not getting any enjoyment. This rule doesn't apply to slice of life, of course.

Overall: 9.7

I love this manga. Not much more I can say than that. Something about the feeling of the Abyss makes it all that more amazing. This manga is filled with emotion, expressed very well by the art and characters. It is beautiful, both in story and art. I would recommend this to anyone, whether they have read manga before, or haven't even considered it. It is a great read, great watch, and should be on everybody's list.

TL;DR: 9.7

The story and the art are amazing. It will rarely, if ever, make you bored. It is worth every minute you spend reading, and I would recommend if you haven't read it, to do so. It is the manga that has never left my memory, and I doubt it will. Some scenes do have to do with children suffering and gore, so beware.

Author's note*

This is my first review ever. I think this is a good manga to leave my first review on, and I tried my best. I may not be the best writer, but I tried to get my feelings of this manga across as well as possible!

If I could make any improvements, I will be sure to make them in my next review, whatever manga or anime that may be. I may also edit this review later on, after more chapters get released.
One Punch-Man review


Story - Spoiler alerts - (8 out of 10)

The story revolves on an unemployed man who became an unknown undefeatable superhero who has been saving the cities from dangerous atrocities done by evil monsters or humans. This superhero was called Saitama. Three years ago, on his way home, he met a dangerous crab monster after being rejected by a job interview, the crab monster spared Saitama's life after recognizing lifeless eyes of Saitama. In fact, Saitama wasn't the Crab monster's target, it was a cleft-chin boy who drew nipples on his chest.  Saitama, after saving a cleft-chin child, realized that his dream was to become a hero not a job-hunter. In fact, that was his childhood dream career.

After intensive training for 3 years, Saitama has become an overpowered hero who wins battles with merely one punch. Saitama's overpower made him bored and made his fights unenjoyable.

Art (10 out of 10)

The art of OPM is mesmerizing and most of the characters are definitely charming and has matured looks, especially our heroes and some of our villains.

Yusuke Murata's art of one punch man is so attractive, aesthetic, natural, pure & eye-catchy.  I respect him & love his art.

Character - Some spoiler alerts - ( 10 out of 10 )

Saitama: A 25 years old man with funny bored-look on his face who looks nice when serious and look good with hair. He was an unemployed man who became our overpowered placid unknown superhero after hard conventional training for 3 years without taking days off. He speaks less, dislikes it when people are talkative & is not serious during fights and that makes his enemies furious due to his careless actions. (I love him, he is funny and comedian.)

Saitama achieved his dream by becoming a superhero but lost enjoyment of battles.

Genos: A 19 years old cyborg, S-class hero of 17th rank & an ultimate loyal disciple of Saitama. His goal is to destroy the cyborg that destroyed his city and killed his people. He is loyal and looks up at Saitama with respect after being saved by Saitama & witnessing Saitama's power and using it for justice. He is quite talkative and is always serious.

My comment: I suggest you to read it's manga and to watch it's anime. It's worth watching and reading.. and you might like it. You have to give it a try first instead of judging it because of how overpowered is Saitama.

This is my first review and it's not that good. Forgive my grammar errors & errors regarding any line or repetition. I hope I get better in reviewing manga in the near future.

(Although I am currently enjoying the manga, I will still omit the enjoyment and overall parts for now because I am in chapter 12.)
Houseki no Kuni review
This is a review up to chapter 36, because that's all I've read.

This manga is very interesting. No not interesting because it grabs your attention, but it makes me want to talk about it so much.

Let's start with the art. Although the basic art style is not anything insane, the dark shading and unique character designs are really the main highlights of this manga. Characters look unique, and most of thin and tall, often many of them have very feminine traits, like long hair, smaller hands and longer fingers, as well as more refined and smooth eyes. This adds a layer to the manga, that I have not seen before really, it makes the experience more mind-bending and interesting for the audience. The art sets the mood of a mysterious, unknown world, as secrets are being uncovered every chapter.

The characters are fine in my opinion. The protagonist is going through some pretty good development, and his relationship and chemistry with cinnibar is contradicting and has potential to lead to an interesting development and climax. Most of the side characters don't get enough depth for me to say that they're great, but I'm sure that will change as I read more of the manga. (also ghost quartz is kinda hot if you know what I mean).

The plot is well-written and paced, the information that we receive doesn't feel like it's coming at us at one time, nor does it rely on flashback moments to convey important information. Right now, it's more like a mystery uncovering plot, where the protagonist has to piece together little bits of information to get to the truth. Nothing too much to say here. I do want to add that the plot amour in this is very minimal, so that's a plus.


Overall, there's nothing to complain about. And I know that this is just the first 36 chapters, but trust me, it's really good, and I definitely recommend this to you if you haven't read it already. In my opinion, this would probably become the new gen evangelion or madoka magica, which means it'll probably be my favorite new gen soon.
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