Aku no Hana

When I first started reading this manga honestly I though it was pretty bad. It starts off as the boring "someone saw me do something weird and I'm in a lot of shit" cliché, but then suddenly after about the 7th or 8th chapter the story completely evolves and takes a completely different turn. At about this time the story stops focussing on all the weird stuff going on and shows us the the effect it has on the main character, Kasuga.
This manga really messes with your head and you even find yourself being able to relate to some of the feelings Kasuga experiences. Being different, not fitting in, messing up and not knowing what to do.. as the reader you get to experience all these things and watch as the characters evolve and the situations change to the point where you wonder if they're still sane. And once you realise this, you begin to wonder when it happen, and how exactly things turn out the way that they did.

This manga always keeps you on edge. And I completely agree with some of the other reviews saying that this is a really fast paced manga. Something happens in every chapter and by the time you reach its end you are already turning the page for the next one. At times it can get weird, or disturbing and at other times its down right disgusting! But even so it completely sucked me in and by the end it just left me feeling a little disturbed as well.

Life is basically a series of meetings of people who may have or not some effect on the involved. These effects can be minor or big, but, undoubtedly, they change people. For good or bad, meetings are one of the few things that can truly influence people. Aku no Hana shows one of such meetings and how it changed everyone involved for the worse and how these people dealt with it.

Aku no Hana (The Flowers of Evil) is a psychological manga written, created and illustrated by Shuuzou Oshimi, who also created Boku wa Mari no Naka. It began serialization in 2009 and ended in 2014. Since 2012, it has been completely translated and published in English by the company Vertical Inc..

Kasuga Takao is a run-of-the-mill student with a regular crush, except for the fact he loves to read, particularly the French Symbolists, and the fact that his favorite book is Baudelaire's Les Fleurs du Mal. One eventful afternoon, he forgets his book at class and goes back to find it. Once he gets to the classroom, he finds not only his book but also the gym clothes of his crush, Saeki Nanako. Remorsefully, he brings both of these things home. Little did he know that, Nakamura, the "weird" girl of class, saw everything. She blackmails him into creating a contract between them, in which Kasuga should do everything Nakamura wishes. These events forever change the protagonist's life in unforeseen ways.

While the premise may seem traditional and a bit clichéd, the story from that point on is unusual and unnerving. It delves into aspects of humanity's nature in thought-provoking reflections on our own society, such as our need to follow society's rules while fighting our own bestial impulses. Moreover, the analysis given by Nakamura that "people are all shiteaters" and perverts is hugely impactful in a highly depressing way, particularly because of the image it evokes, similarly to Les Fleurs du Mal's movement, Symbolism.

Exploring the connection between Aku no Hana and literature it is evident the influence of the classics in it. The manga presents a lot of the tendencies the symbolism had, particularly the ideals of humanity's decadence and the focus on the effects of the things rather than the things themselves. This accentuates the connection of them and, at least to me, make it seem that Aku no Hana would have been more suitable to "traditional" literature. Another thing that points to it is the high lyrical value of some scenes and the character interactions themselves.

The main theme of Aku no Hana is the people's point of view of each other and how easily they are manipulated. This is made apparent particularly by the way Nakamura acts, always trying to take advantage of other people and toying with other people's emotions to reach her own objectives. The social aspect of the story is its most marking aspect and it creates a feeling of hate in the reader. This impact is very intense and even a bit unnerving.

Another point of importance for the story is how hard it is to overcome the past, as no matter what Kasuga does, he can't seem to forget that one year with Nakamura, even years later down the line. The trauma is perfectly represented on the sense of profound apathy that dominates Kasuga through part of his future, and could even be classified as depression. This realism makes the story even more impactful and shocking.

The characters aren't likeable in any way whatsoever, as they all have deep character flaws that hold a huge influence on their actions. Some of them are simply crazy and almost psychopaths that disregard basic aspects of humanity. However, this exaggeration serves to show problems with our own society and the way we lead our lives, in some ways.

The art of Aku no Hana is, specially at first, deformed, but that seems to be simply a way to accentuate the characters own mannerisms and humanity's lack of form. There also is a heavy usage of symbolism, particularly with the titular "Flower of Evil", and in that regard Aku no Hana nails it. The subtlety of it is contradictory, as it tries to send a very shocking message, but, somehow, it works, striking a vital balance between subtlety and impact.

This last point, again, makes it seem that a book format would have suited Aku no Hana better. Everything about it corroborates that, from the way the story is told to the contradiction of subtlety and shock-aspect. I was constantly reminded of that while reading it and, to be frank, it diminished my experience.

Aku no Hana is not a particularly enjoyable read, it is too shocking and thought-provoking for that, but it is highly appreciative of a trained eye to observe its details and criticisms.

It is not a series everyone would appreciate, that is a certainty, but those who understand it will probably be deeply impacted by its message. Sadly, it is too reliant on that to be a definite recommendation, as its is deeply ingrained in every aspect of the manga. This characteristic makes Aku no Hana a high-level read that needs an experienced reader with some knowledge of literature to be fully appreciated.

Usually, the plot, based on the worrying of a teenager, problems in school, inferiority complexes and fear of recognition in love, does not cause much interest in the observer, primarily because of his banality. Often the problem of one boy or girl is offered, in which the author rests with all his strength and pulls it throughout the story, but here we will see a completely different picture, which, if not forced to love this work, but at least it will not waste your time.

Aku no Hana shows that reading means thinking through of someone else's head instead of one's own, which is what happens to the protagonist of the Kasuga Takao. But for independent thinking, which tries to develop into something whole, into some system, nothing can be more harmful, as excessively strong influx of other people's thoughts, because they, belonging to anothers minds, will never merge into one picture and will not give unity of thought, but rather, they form a pandemonium in the head and deprive the mind of any clear view. The protagonist understands this not immediately, but after some incident that happened to him, when he forgot his book in the classroom and came back to find it. However, he discovers not only the book, but also the sportswear of his classmate Saeki Nanako.

Such a premise may, at first glance, not cause any special interest in the reader, but fortunately, soon show how much he (the reader) was naive. If suddenly, during the reading, you try to anticipate any events occurring in the story further, you do not have to worry, Aku no Hana will completely destroy your ideas. After this incident, the plot will be unusual and will start to unnerving. Very soon, thoughts come to mind that, something unknown makes us reading more and more, causing interest in the characters all the stronger. I'm not a big fan of works of this genre, as in Aku no Hana, but somewhere from the tenth chapter, it was simply impossible to tear myself away. It is difficult to convey in words, when the genre of the work itself, does not cause much interest, but at the same time, it becomes unclear why you can not tear yourself away from reading.

The aspect of humanity is that anyone who differs at least slightly from the surrounding society will be considered strange, and also in some way stupid. However, those who would be worth listening to, people notice only when it is no more, this is the stupidity of people's as a whole. Nakamura understands this, because of what she hates her surroundings. Life for her, there is an incessant struggle with need and boredom, as well as with other people. She expresses the idea that every person must follow the rules of society, while struggling with their own desires. The idea that each person is in the system of society and that each, in fact, does not differ from each other with anything special, gives rise to the topic of what people are easy to manipulate, which is clearly shows Nakamura.

Deepening in the characters is stronger, you can see that everyone has a huge flaw in the character. Thereby, transmitted the realism of the series. And the difficulty with which the protagonist will experience his past, once again makes us understand that a person, usually, finds joys far below, but suffering is far higher beyond his expectations. After all, Kasuga almost never remembers happy memories, everything that will surround him in the future is suffering, although every single misfortune in general is a rule. So, all the events that happen to him and Nakamura bring him to the truth. It follows that we do not notice and do not delve into all that is done in accordance with our will, and in order to turn our attention, it is necessary that the circumstances come across some obstacle, which Kasuga faced. Therefore, I do not know the greater absurdity how to think that everything that happened to the protagonist is evil, on the contrary I evaluate this as something positive and even in some way I envied Takao, because what happened to him made him feel itself. And later he realizes that the agony of existence is promoted by many circumstances, and most important of them is boredom, it stands behind every perfect action.

Analyzing Nakamura's stance that all people are shiteaters and perverts, we can make up some phrase, namely "Everything that is natural, therefore, is bad, and that's why it is bad, which is natural." In other words, when evaluating any human individual, one must constantly keep in mind that the basis of it, is something that is imperceptible to the ordinary eye, something perverted. And it can be understood. After all, if you think and take into account that life, in its essence, is a state of need, and often disasters, where everyone must harass and fight for their existence, therefore she (Nakamura) can not accept a friendly face expression, but only occasionally gloating smile.

Taking into account the social component in Aku no Hana, one can reason as follows. What, be great person (Nakamura) and live among the miserable rabble, it's almost synonymous, these are two expressions for the same thing, people like Nakamura are almost always doomed to loneliness. I would like to disassemble each of the main characters in order.
The first is Saeki Nanako, who belongs to the category of those who can not move on, except in the company of someone else. She tries to hide the imitation through of the imaginary originality, which, in general, does not go beyond the order and presentation.
The second is Kasuga Takao, he is in general almost the same as Nanako, what attracts him initially to her, but he has the ability to judge and he still tries to walk on his own feet through by stupid reading of books which he not understand . In other words, "a fool is tailored in his own way."
The third is Sawa Nakamura. She is in some ways an exception to the whole society. Perhaps her position, in relation to everything is not correct, although I do not think so, but it primarily thinks on its own, and therefore, "a priori", stands above others. She genuinely does not care about someone else's approval, although, as it is learned later, she will be very glad to meet Kasuga, thinking that he is definitely of equal level with her, although this is completely wrong.
All this is evident in the actions of the characters. Nanako tries to imitate Nakamura, and Kasuga, in turn, runs after her, hoping to understand and realize what kind of person she is, although Sawa herself does only what she wants, which is certainly worthy of respect.

A happy ending is always very difficult to make original and I thought until the last that in this work everything will end if not bad, then probably the end would put a big question on the continuation of the fate of the characters. But everything turned out not so. In the manga is a good enough and full-fledged end, it can be called happy. Although taking into account all the things for which Nakamura spoke and tried to convey, to see her at the end of an ordinary, obedient and decent member of society is a little sadly. But we can not say that she is broken, because it should be understood that when someone stands at the top one, and others can not rise to him, then he should, if he does not want to be alone, to go down.

The conclusion to this series is definitely ambiguous. I can not advise this to any people, since in order to fully understand all that is said here, one needs to be at least a little familiar with the literature and even the language of philosophy as a whole. However, I can say with confidence that reading this, you will not waste time in vain, and what you will learn from this, and what position you will follow, this is not particularly important at all. Manga is read with interest, therefore, even if you do not understand the whole point of her message, at least you will touch a work that stands at the level of art. And if someone does not understand the essence of art, then he must stand in front and wait until the picture or voice inside, does say something to him.

And yet, Aku no Hana, written primarily for criticism, the untrained eye will not be able to fully appreciate the completeness of this work. However, anyone can try to somehow present his own vision of the picture.

"-... How easily the world leaves us helpless, lonely and continues its journey, like the sun and the moon, and other gods." - Gėtė. "Tasso"

“Carry me. Past that mountain.”

Shuzo Oshimi dedicated this work to “all the boys and girls who have ever suffered the torments of puberty.” But the “torment” Kasuga experiences is not due to the blackmail of a sadistic girl who witnessed his moment’s indiscretion in swiping his crush’s gym uniform. It’s in the blossom of that flower that no one hears, the desperate cry from within that no one understands – the flower of evil.

Aku no Hana’s first 6 volumes relate a chain of twisted events as the reckless decisions of three young teenagers lead to one outrageous happening after another. Desperate to find what is dear only to them, each one wrestles with the inexorable desire for individuality. In delusional fervor they acknowledge their own perversity, and before the insurmountable heights of reality they face their own mundanity.

After a three-year time skip, volume 7 begins the story of a quiet, listless boy who has lost faith in his own significance but somehow cannot let himself enjoy the ordinary after all that has passed. Kasuga has spent his whole life running from himself and reality, clinging to one distraction after another in exhilaration bolstered by secrecy. The fantasies he spent his late childhood pursuing beckon with seductive charm, while the tangible world, with all its joys and losses, hovers just within reach.

In some ways, Aku no Hana as a whole is a visceral experience. It claws the depths of raw, subconscious desires, and awakens unarticulated and barely-acknowledged feelings of grief and longing. But it is simultaneously imbued with symbolism, with every image purposeful and infused of meaning. It can be experienced in a few hours of fervent page turning, or dissected with an intellectual scalpel.

The manga itself matures with Kasuga, abandoning outlandish incidents for less flashy, more satisfying ones in the second half. The artwork, too, improves greatly, becoming more proportionate and losing its unbalanced overemphasis on eyes and screams. After the glamour of the first half, there is a vague sense of loss in these volumes, which echoes the absence of Nakamura and the extraordinary in Kasuga’s life. This segment of the story draws the reader in as gradually as it draws Kasuga out of his indifference. While the first part offered its readers and its characters the attraction of the bizarre, it ultimately could not deliver the fulfillment of the second with Kasuga’s ordinary struggles with the demons of his youth.

There is something both painful and beautiful about Kasuga’s loss. As he claws his way into adulthood, he wrestles with those he hurt and those who hurt him, striving to let go of what he pursued with such passion as a child. Even so, with the end of one world comes the beginning of another. It is as though Kasuga and Nakamura were half blind to the beauty of the real world as children, and now simple backgrounds are replaced with gorgeous detail and shading, including sunlight that radiates vividly even from the colorless page. Kasuga is now able to find value and enjoyment in what seemed meaningless to him before.

And like a long lost friend, the flower of evil returns in dreams and moments of creativity, safely contained within the confines of the words of a notebook . . .

What can be said about this manga that others haven't? I am not sure, so I will say it anyway.
It is basically what happens when a boy becomes so obsessed with a girl his life spirals out of control and he throws away everything he believes in or has worked for just to try and make her happy. The girl, is a sociopath who shows no emotion except joy when others are in emotional pain and has no qualms about leading the boy down a path of self-destruction because she simply doesn't care about the world or anyone (herself included) in it.

Some might say the story is predictable and unoriginal, both of which I disagree with. It is original in that it takes the usual school romance and twists it until it is so distorted that you can barely see the resemblance to what it once was. Although it starts off much like your generic romance manga, it quickly becomes evident that you will be going for a ride that will keep you on the edge of your seat and keep reading. As for predictability, it is not in the least. Just when you think one of the struggles between the main characters has come to an end, the roller-coaster (if you will) dips right back down so fast you will never see it coming. The characters are also quite different than ordinary manga. While on the surface they appear normal and average, they have multiple levels of emotion, ideas about life and love, what it is to be human, and even self-consciousness. It will not be until the end that you can truly understand the depth of their soul and just how deceiving the initial appearance can be. Art is about average.

This is the worst manga I have read so far, so I felt like I had to write a review. Note that this review may contain spoilers of the first two volumes.

The first volume was horrible, I don't even know where I should start from.
Well as soon as I opened the book, I could tell that I didn't like the art, but everyone doesn't have the same tastes, and I can't say it's bad so I won't criticize that too much. A bit too old school for me maybe...

But to me the story is still the most important, and never did I thought that I would be so disappointed: we are talking about a guy, pretending to be more intelligent and cultured than his classmates (because he reads Baudelaire you see), but who never ever thinks before acting.
I mean the guy gets bullied because he stole some f***ing clothes, and I still don't get why he stole them by the way.
Okay sometimes you don't have time to think, but the dude is scared of throwing the clothes in the trash because there are people around, but who cares!? He could have put the bag in a trash bag if he wanted to hide the fact that he was throwing some clothes away...
Then comes the bully, who threatens to tell on him if he doesn't do what she wants, but again, who f***ing cares!? Nobody likes this girls so why even pay attention to her???
That bully, by the way, is a girl who likes to insult everyone and consider them as perverts.
The two protagonist are completely hateful personas to me.

So now you could wonder why did I even bother reading the second volume, and that's because I genuinely thought it would get better, but it didn't...
It only gets weirder and weirder, especially at the end of this second volume when the bully asks him to write what he's done on the black board, he refuses, and she finally decides to leave him alone. That means that he won't get bullied anymore, isn't that great? But no we can't end on that! The boy, suddenly and deliberately, writes everything on the board, calls himself a pervert, etc.
I really don't get this last part. I know the story needs to continue but this scene doesn't make any sense.

I don't know if it's the same for every version of the manga, but on the French one "je dédie ce manga à tous ceux qui souffrent ou qui ont souffert des tourments de l'adolescence" is written, which means "I dedicate this manga to all of those who are suffering or did suffer from the torment of adolescence".
And I can't help but think that nobody would ever let themselves get bullied like that, I mean come on, the guy even gets undressed by a girl and not a particularly muscly one. So I don't know if we can talk about suffering when our protagonist deliberately chooses to get bullied, must be a sadomasochist of some sort.

This story is completely dull, so I dropped it after two volumes, and I don't think I could recommend that to anyone.
And to think this is a seinen...

Let me start this review off with a miniature literature lecture. Charles Baudelaire was a crazy French poet who was an aspiring lawyer but decided to drop it all and become the archetypal struggling artist. He borrowed money extensively and spent them on booze and whores. Of course, he burnt out and died from overdrinking alcohol but he left behind a grand literary legacy. His poetry was vulgar, decadent and entirely brilliant, inspiring a movement called the Symbolist movement.

But rather than focus on Baudelaire, let’s focus on another poet called Rimbaud (Takao also reads him). Rimbaud became and avid fan of Baudelaire. He was a young teenager and felt trapped in his parent’s home. He frequently ran away from home and eventually moved to Paris to join the Symbolist movement there. The most important thing he preached was the theory of the voyant. Rimbaud believed that a true poet (the voyant, or seer) could only achieve the pinnacle of his art with what he called ‘the derangement of the senses’. He believed that a poet had to achieve every kind of evil and suffering, to make his own soul into a monster. He saw Baudelaire as the first voyant in the whole of poetic history. Of course Rimbaud took the same path of decadence Baudelaire took. His poetic career only lasted 5 years, yet he wrote works that are widely read by the French public even to this day. After his 5 years in Paris, he spontaneously decided to travel to Africa and in the end became an arms dealer. He died of a sickness he caught overseas.

Finally let’s go to an era that’s closer to our time, around 1940s – 1950s in America. A group of Literature students in Colombia University felt sick to their stomach about the actions of the US government and about life in general. Of course, I’m referring to the Beat Generation. Allen Ginsberg’s famous “Howl” and Jack Kerouac’s famous “On the Road” became a cult classic, leading to the rise of an entire new counterculture movement altogether. The most important thing is that the members of the Beat Generation were influenced by Rimbaud. When one reads On the Road reads up about the lives of Beat Generation writers, the main theme running among them all is spontaneity and anarchic freedom. They aimed to flout the rules and societal norms as much as possible and to lead a life of utmost chaos.

After reading a couple of the reviews posted on this manga, I see the same things repeated again and again. I see people reading it as a manga about Femdom and they claim the plot is unoriginal because the “sadistic girl forcing the guy to make a contract” has been done before. On the other hand I saw the work as a completely differently thing altogether. Of course it requires a certain mindset to see this perspective.

There are those people who take a look at the society they live in and genuinely hate it to the very core. They see people who live lives of unhappiness and die unfulfilled. They get the impression that everyone is socially isolated from everyone. They see people indulging in stupid pleasures like dirty jokes and momentary experiences like karaoke sessions. They think chasing after stuff like wealth and cars are just another form of escapism and self-delusion. They dream of running away to Woodstock in the 1960s and spending 3 days of freedom and drugs and rock and roll. They dream of following the footsteps of street artist Banksy and spraying paint and art all over the walls of the city. They think that people are only truly free when they are free to run around in fields, to scream, to have cathartic moment after cathartic moment, to ride On the Road without limits and without care. They don’t like the obligations they have towards society and think it’s a complete waste of time, to live such a myopic lifestyle.

Of course, all this is like simple Anarchist theory. You can read more about these sorts of theories of human freedom in things like the works Situationist International and the movie My Dinner with Andre. What I see Aku no Hana as is a portrait, a representation of the burden (and it is a huge burden) and yet simultaneous beauty of leading the lifestyle of sin Baudelaire and Rimbaud once led. Nakamura isn’t just a sadistic BDSM queen; she’s a representation of that lifestyle, a symbol. Takao submits to her because the sheer thrill of their exploits is a form of exaltation. Likewise, I was drawn towards the glimpse of that lifestyle, two people doing things I could never have done and looking so unbelievably joyous in their carnage.

Normally I classify works under two forms. One is a work that is a beautiful illusion, a work of fiction that is perfect in every way for escapism and sentiment, drawing out simple emotions. Things like melodramas and thrillers and comedies fall under this territory. Then there are those that have glimpses of direct, real lived experience within them, those works that can give you bits and pieces of life. These are the works that will enrapture your soul and depress you because they capture just a mere iota of a full experience that you know is currently out of your reach or force you to confront a dire reality. Things like Welcome to the NHK, Subarashii Sekai (by Inio Asano), Synecdoche New York, All About Lily Chou Chou, Fight Club (to a small extent, it’s more of a thriller).

It didn’t pick up though until that first event in the classroom. The ultimate glimpse of pure anarchist delight embodied in the two dancing adolescent youths. There’s a certain mindset that you need to have before entering such works, the mindset that you are both lonely and damned, the twisted romantic view of life. Aku no Hana is a work for dreamers. The first step is to not see the main characters superficially as a mere twisted couple mimicked in many other stories but representatives of different aspects of humanity. Anarchy, conformity, angst, spite, jealousy, rebellion are all present.

Seeing past all the standard critiques, it’s not a matter of clichés or characterization at all, in the end it all comes down to how much you empathize with that beautiful vision of anarchic self-destruction.

This review may sound like it comes from a complete sociopath (Most likely. I had Fleurs du Mal and Rimbaud's Complete works before I even knew of the manga. Also I'm one of those hopeless dreamers who plans to live some kind of struggling artist life in the future) but this is just a single perspective that may perhaps change some people's views when engaging with this manga (I hope).

Boredom. It usually occurs from repetitive and seemingly uneventful occurrences in someone's life. In the case of Aku no Hana, that boredom is caused by living in a bland town full of normal people. So what happens when you finally get a glimpse of someone or something that isn't normal for the first time in a long time? You would probably do whatever it takes to keep that thing close to you and prevent it from being tainted by the boring pieces of shit that exist everywhere else.

As you can probably assume from that brief introduction, Aku no Hana is a dark psychological story. It follows several middle school students in a backwater town in Japan as they grow closer and farther apart from each other throughout the story. Kasuga Takao is your typical middle school male protagonist. His only remarkable feature is his intense love of reading. His favorite book is "The Flowers of Evil" ("Aku no Hana" in Japanese) by Charles Baudelaire. One day, he forgets this book at school and returns to get it. After picking it up from his desk, he sees a gym bag lying on the floor in the back of the room. It happens to be the bag of the girl, Saeki, that Kasuga has a crush on. Kasuga hesitantly decides to pick it up, and, suddenly discovering his perverted nature, decides to sniff her gym clothes. Upon hearing a noise, he panics and ends up taking the gym bag home with as he runs off. He thinks everything will be fine, but soon enough he finds out that a strange girl in his class named Nakamura saw him with Saeki's bag. The situation soon escalates after the bag isn't returned and a pervert is supposedly spotted on the campus grounds. Now Kasuga has to decide whether he should return the gym bag or not as he gets caught up in a bizarre relationship with both Saeki and Nakamura.

The story of Aku no Hana is extremely character driven. It's puts the reader into the mindsets of each character and shows you the psychological stress and development they are going through. This is especially the case for Kasuga as most of the story is told from his point of view. Kasuga starts off as a very generic and annoying protagonist. He's wimpy, gets pushed around by Nakamura, has trouble speaking his mind, and ends up making his life worse with his poor and delayed decisions. I say he "starts off" that way because as the story progresses he develops tremendously. There is a distinct point in the story where everything changes in a matter of just one chapter, and Kasuga suddenly stops being annoying (at least in my opinion). Not to mention the character designs improve around that point as well. Saeki, Kasuga's love interest from the start, is a popular girl in their middle school. She's a good student, kind, and friendly. She's basically the exact opposite of Nakamura. Nakamura is antisocial, mean, and doesn't try at all in school. She sees the world in an entirely different way than everyone else, leading her to isolate herself from all of the boring "shitheads" around her. The final female protagonist is Tokiwa Aya who is introduced over halfway into the story, however she has just as large of an impact on the story as either Saeki or Nakamura.

Let me take a moment to mention this in particular for anyone who has seen anything about the anime of Aku no Hana. The art in Aku no Hana is great and is absolutely nothing like the rotoscoped animation in the show that lacks emotion as well as many other things. It also only adapts the very beginning of the story before it even gets great. The art in the manga develops over time and grows along with the characters. It's really incredible looking at the early and later chapters and seeing the leaps and bounds the art has taken throughout the manga.

One thing this manga executes especially well is it's occasional lack of talking. Some chapters have absolutely no words at all for around thirty pages. Instead, they emphasize the emotions of the characters perfectly through nothing but facial expressions, scenery, and physical character interactions (this is also one of the things that fails most in the anime adaptation). They are usually placed after important parts of the story and emphasize just how emotional and life-changing those moments were.

Aku no Hana is a thrilling psychological and romantic drama. It is enjoyable from start to finish and only increases in intensity as the story progresses. The character development, art and character design changes, and multiple climaxes throughout the story all keep the reader's attention glued to the manga. I personally enjoyed both the first and second half for different reasons. The story may have more climactic and thrilling moments in the first half, but the second half has greatly improved characters and art. I highly recommend this manga (certainly more than the anime) and especially if you enjoy psychological and/or coming of age stories.

If you're someone reads manga because you enjoy the stories of the protagonist and being led on by the emotions of the characters, atmosphere and settings and stuff then probably this review won't be helpful to you.
Before the review, some Q and A.
Does this manga use the above elements properly to tell the story?
sure I guess...
Does it make you feel stuff?
I guess....
Was it enjoyable?
FUCK.... NO... it was the equivalent of someone putting your brain into the dishwasher for 3 days and then raping it after.

The story was pretty standard... boy have crush on a nice girl, nice girl likes boy back, boy dumps nice girl for another girl that was FUCKEN BLACKMAILING HIM, blackmailing girl leaves too, boy hooks up with 3rd girl... which is fine for a story.... IF THIS WAS FUCKEN HENTAI AND HAS A NTR TAG UNDER IT.

Art is basically 1995-2005ish art style... where the period of art was transitioning between traditional (faces with lots of detail, people looked more realistic) and modern (bi-shounen / bi-shoujo). ie. small eyes, round faces, lines to show blushing instead of tint.

The characters are IMPOSSIBLE to synthesize with. the decisions they make are SO FUCKEN STUPID it makes NEAR's [DN] deductions sound like they make sense. The main character dumped a girl he had mutual love with for a girl that's been black mailing for like X days. And the only role of the Blackmail girl is to call everyone else stupid and be a douche bag.

Enjoyment - I'm representing the rating using 4 bits in 2's compliment so 9 = -7

Overall, this is not bad. (yes it was)

Aku no Hana fills me with despair, not because of the subject matter that it covers but because it's a classic example of the "Death Note" phenomenon that happens a lot in anime and manga: a particular work starts off with an interesting concept, ends up becoming insanely addictive as shit gets more and more intense until finally, all of that momentum is lost with a major event happening that kills your buzz and you're left feeling more unsatisfied than a sexually frustrated wife is with her impotent husband. Aku no Hana is a good manga but if you're expecting a completely fucked up story all the way through, you're going to find yourself SORELY disappointed.

Aku no Hana is split up into two parts: the first 33 chapters cover Kasuga's life in middle school along with all the demented things that end up happening to him until a time skip occurs. The remainder end up covering Kasuga's life in high school post-timeskip along with his attempts to become a well-adjusted individual. I'm just going to rip this bandage right off from the start: the first 33 chapters are nothing short of addictive, to say the least. The entire tone of the story was completely morbid and it just grips you the moment you pick up the first chapter.

Nakamura has to be one of the most captivating female leads I've ever come across, not because she's elegant and charming but because she's BATSHIT INSANE!!!!! She's essentially the entire reason why I couldn't put this manga down whatsoever. You know your manga is gonna be good when one of the main characters ends up calling a teacher a shit-eater and ends up scaring him in the first chapters. As the story progressed, I kept wanting to know what the hell would go down between Kasuga and Nakamura and the events that went down left my mouth agape in pure shock and awe.

Forget all that typical high school romance crap, the shit that she and Kasuga end up doing together wouldn't be out-of-place in a perverted anarchist's wet dream. Vandalism, stealing gym clothes, shit-eaters, oh how I wish I was in Kasuga's place and I had a tank of kerosene. You keep wondering how the mangaka will top himself, thinking that there's no conceivable way that he can make things become even crazier but you'd find yourself sorely mistaken. This continues all the way until Chapter 33, which is where the manga reaches its zenith. Had the manga ended right then and there, Aku no Hana surely would've earned its place as one of the craziest and most intense mangas ever written. Sadly, the story continues.

The last ~25 chapters of the manga are a complete and total departure from the dementia that came before. Instead, it focuses on Kasuga trying to become a well-adjusted person in a world where he feels like he's an outcast. Surely, this kind of story had some potential but it was sorely squandered. For one thing, Nakamura is missing from the bulk of these chapters. Up until that point in time, Kasuga was constantly playing off of Nakamura and vice-versa. Their dynamic was made the manga exciting to read in the first place, so seeing Kasuga and his self-loathing without anything to balance it out just made the entire thing tedious to read through.

The tone shift in Aku no Hana came out of nowhere. This manga spent ~60% of its run as an incredibly fucked up high school drama and there was absolutely no hint or foreshadowing about this shift in tone coming at any point in time. If you're going to shift tones, why not make it more gradual? Time skips can work to great effect, but the way Aku no Hana set itself up made it so that a time skip wouldn't work whatsoever. Chapter 33 was the absolute climax of the manga! How the fuck are you going to do a time skip from something as intense as that?! How are you gonna go from Kasuga and Nakamura calling everyone shiteaters before doing something completely insane to Kasuga alone in high school hating himself?

For the record, it's not like I have a problem with self-loathing high school kids with fucked up pasts in the first place either. I adore the SHIT out of Oyasumi Punpun, for God's sake! Here's the difference though: Aku no Hana started out as this incredibly fucked up manga that ended up becoming more and more demented as it progressed. Punpun on the other hand was told from the psychological perspective of someone from childhood to adulthood and how he gradually turned into a pessimistic and self-loathing adult when he used to be a sweet, innocent, and optimistic child. As surreal and macabre as Punpun got, it was nowhere NEAR as demented as Aku no Hana was.

Now where does Aku no Hana stand now? Were it not for the final 25 chapters, it would've been something I would enjoy reading the shit out of. The ending was fair enough, I guess but honestly... I wanted to keep reading more of that demented anarchist's wet dream that had me hooked from the moment I started reading it. If you want to give Aku no Hana a chance, by all means do so. Whilst I did make that Death Note comparison, I should point out that Aku no Hana is nowhere near as bad as Death Note was once the Near and the SPK rolled by. It's not perfect by any stretch of the imagination, but for what it's worth, Aku no Hana was one hell of a ride from beginning to end. Anyway, that's all for now. Feedback is always welcome, and with that I'm out. Peace :)